Was St. Edward’s Crown really destroyed by Oliver Cromwell?

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Alfred the Great, Charles II of England and Scotland, Edward the Confessor, English Civil War, Kingdom of England, Oliver Cromwell, Restoration, St. Edward's Crown

Edward the Confessor wore his crown at Easter, Whitsun, and Christmas. In 1161, he was made a saint, and objects connected with his reign became holy relics. The monks at his burial place of Westminster Abbey claimed that Edward had asked them to look after his regalia in perpetuity for the coronations of all future English kings.

Although the claim is likely to have been an exercise in self-promotion on the abbey’s part, and some of the regalia probably had been taken from Edward’s grave when he was reinterred there, it became accepted as fact, thereby establishing the first known set of hereditary coronation regalia in Europe. A crown referred to as St Edward’s Crown is first recorded as having been used for the coronation of Henry III in 1220, and it appears to be the same crown worn by Edward.

An early description of the crown is “King Alfred’s Crown of gold wire-work set with slight stones and two little bells”, weighing 79.5 ounces (2.25 kg) and valued at £248 in total. It was sometimes called King Alfred’s Crown because of an inscription on the lid of its box, which, translated from Latin, read: “This is the chief crown of the two, with which were crowned Kings Alfred, Edward and others”. However, there is no evidence to support the belief that it dated from Alfred’s time, and in the coronation order it always has been referred to as St Edward’s Crown.

St Edward’s Crown rarely left Westminster Abbey, but when Richard II was forced to abdicate in 1399, he had the crown brought to the Tower of London, where he symbolically handed it to Henry IV, saying “I present and give to you this crown with which I was crowned king of England and all the rights dependent on it”.

The monarchy was restored in 1660 after the English Civil War (1642-1649) and in preparation for the coronation of Charles II, who had been living in exile abroad, a new St Edward’s Crown was supplied by the Royal Goldsmith, Sir Robert Vyner. It was fashioned to closely resemble the medieval crown, with a heavy gold base and clusters of semi-precious stones, but the arches are decidedly Baroque.

In the late 20th century, it was assumed to incorporate gold from the original St Edward’s Crown, as they are almost identical in weight, and no invoice was produced for the materials in 1661. A crown was also displayed at the lying in state of Oliver Cromwell, Lord Protector of England from 1653 until 1658. However, it is believed the crown at Cromwell’s lying in state was probably made of gilded base metal such as tin or copper, as was usual in 17th-century England; for example, a crown displayed at the funeral of James VI-I had cost only £5 and was decorated with fake jewels.

On the weight of this evidence, writer and historian Martin Holmes, in a 1959 paper for Archaeologia, concluded that in the time of the Interregnum St Edward’s Crown was saved from the melting pot and that its gold was used to make a new crown at the Restoration.

His theory became accepted wisdom, and many books, including official guidebooks for the Crown Jewels at the Tower of London, repeated his claim as fact. In 2008, new research found that a coronation crown and sceptre were made in 1660 in anticipation of an early coronation, which had to be delayed several times.

Last evening I watched a documentary on YouTube called, The History of the British Monarchy Crown Jewels. In the documentary it is said that it is possible that the bottom half of St. Edward’s Crown is the original crown. Evidently there is only a record of a bill for the arches, the monde and the cross and this was due to the fact that the bottom half of the crown already existed and was in fact the original St. Edward’s Crown that had been saved from Cromwell’s destruction.

Coronation Crown of George IV of the United Kingdom

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Caroline of Brandenburg-Ansbach, coronation, Diamond Crown, Jefri Bolkiah, King George IV of the United Kingdom, Prince of Brunei, St. Edward's Crown, State Crown of George I, State Opening of Parliament

Although I have already featured my top 12 Crowns I still will feature other crowns and regalia from time to time.

When King George IV of the United Kingdom was coronated on July 19, 1821 he did not use St. Edward’s Crown for the ceremony, nor did he use the State Crown of George I as had his immediate predecessors; instead he had a new and and extravagantly expensive crown built.

Design

At 40 cm (16 in) tall and decorated with 12,314 diamonds, it was said to make him look like a “gorgeous bird of the east”. The innovative gold and silver frame, created by Philip Liebart of Rundell, Bridge & Rundell, had been designed to be almost invisible underneath the diamonds.

A plan to remove the traditional fleurs-de-lis and introduce the rose, thistle and shamrock, the floral emblems of England, Scotland and Ireland, was abandoned following objections by the College of Heralds. As a general rule, the maintenance caps in British crowns are made of crimson or purple velvet, but this crown differed in having a dark blue cap.

Fate

Because of the postponement of George IV’s coronation due to the trial of his wife, Queen Caroline, the final bill for the hiring of the stones came to £24,425. After his coronation, the king was reluctant to part with his new crown, and lobbied the government to buy it outright so he could use it for the annual State Opening of Parliament, but it was too expensive. The crown was dismantled in 1823 and has not been worn by any other monarch since then.

Emptied of its jewels and discarded by the royal family, the crown was loaned to the Museum of London by the Amherst family from 1933 until 1985. It was purchased by Asprey in 1987 and later acquired by Jefri Bolkiah, Prince of Brunei, who presented it to the United Kingdom. It had been valued at £376,000 in 1995 for the purposes of an application to export the crown to the United States.

The application was withdrawn during a review by the Reviewing Committee on the Export of Works of Art. It is part of the Royal Collection and has been on public display in the Martin Tower at the Tower of London since 1996. Diamonds worth £2 million on loan from De Beers are displayed next to the crown to give visitors an idea of how it looked originally.

Although the frame of the crown is the only part that exists, a bronze cast of the crown was made.

A gilt bronze cast of the crown of George IV. The crown is surmounted by a monde and cross pattée above four half arches springing from four crosses, cast with oak leaves and acorns, interspersed with fleurs de lis and a circlet of foliage; with a purple velvet and ermine cap. The crown has a circular gilt-wood base with a glass dome and blue velvet cover Within the monde of the model is a parchment note giving details of its creation.

It was cast from George IV’s Imperial State Crown or Diamond Crown, supplied by Rundell’s for the coronation of 1821. The crown contained an extraordinary 12,314 diamonds. Although the frame of the original survives among the Crown Jewels, the stones were hired only for the coronation ceremony and were later removed from it. This model therefore gives the full impression of how it would have appeared.

George IV did purchase a bronze life-sized model of his crown for £38, on which the inscription reads: “Cast of the Rich Imperial Diamond Crown with which His Most Sacred Majesty King George IV was crowned on 19 July 1821”.

My Favorite Crown #1: The Imperial State Crown of the United Kingdom.

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Crown of Henry VIII, Crown of St. Edward, Cullinan diamond, Imperial State Crown., King Henry V of England, King Henry VIII of England, King William III of England, Queen Victoria of the United Kingdom, Star of Africa, Stuart Sapphire, Tudor State Crown

The Imperial State Crown is one of the Crown Jewels of the United Kingdom and symbolises the sovereignty of the monarch.

 
Queen Victoria wearing the 1838 Imperial State Crown with the Stuart Sapphire in the front.

It has existed in various forms since the 15th century. The current version was made in 1937 and is worn by the monarch after a coronation (St Edward’s Crown having been used to crown the monarch) and used at the State Openings of Parliament.

The crown is adorned with 2,901 precious stones, including the Cullinan II diamond, St Edward’s Sapphire, the Stuart Sapphire, and the Black Prince’s Ruby.
History

Origin

St Edward’s Crown, used to crown English monarchs, was considered to be a holy relic, kept in the saint’s shrine at Westminster Abbey and therefore not worn by monarchs at any other time. Instead, a “great crown” with crosses and fleurs-de-lis, but without arches (an open crown), was a king’s usual headgear at state occasions until the time of Henry V, who is depicted wearing an imperial crown of state with gold arches (a closed crown).

Arches were a symbol of sovereignty, and by this point in history, the king of England was being celebrated as rex in regno suo est imperator – an emperor of his own domain – owing obedience to no one but God, unlike some continental rulers, who owed fealty to more powerful kings or the Holy Roman Emperor.

Replica of the Tudor State Crown of Henry VIII

Henry VII or his son and successor Henry VIII may have commissioned a more elaborate version of the state crown which is first described in detail in an inventory of royal jewels in 1521, and again in 1532, 1550, 1574 and 1597, and was included in a painting by Daniel Mytens of Charles I in 1631.

The Tudor Crown had more pearls and jewels than its medieval predecessor, and the centre petals of each of the fleurs-de-lis had images of Christ, the Virgin Mary and St George. The crown weighed 3.3 kg (7 lb 6 oz) and was set with 168 pearls, 58 rubies, 28 diamonds, 19 sapphires and 2 emeralds. Following the abolition of the monarchy and the execution of Charles I in 1649, the Tudor Crown was broken up by Oliver Cromwell during the Interregnum, and its valuable components were sold for £1,100.

Restoration to present day

Upon the restoration of the monarchy in 1660, a new state crown was made for Charles II by Sir Robert Vyner. About 10 versions of the crown have existed since the restoration. The one made for Queen Victoria in 1838 is the basis for today’s crown. Made by Rundell and Bridge in 1838 using old and new jewels, it had a crimson velvet cap with ermine border and a lining of white silk. It weighed 39.25 troy ounces (43.06 oz; 1,221 g) and was decorated with 1,363 brilliant-cut, 1,273 rose-cut and 147 table-cut diamonds, 277 pearls, 17 sapphires, 11 emeralds, 4 rubies, and the Black Prince’s Ruby (a spinel). At the State Opening of Parliament in 1845, the Duke of Argyll was carrying the crown before Queen Victoria when it fell off the cushion and broke. Victoria wrote in her diary, “it was all crushed and squashed like a pudding that had sat down”.

The gems in the crown were remounted for the coronation of George VI in 1937 by Garrard & Co. The crown was adjusted for Queen Elizabeth II’s coronation in 1953, with the head size reduced and the arches lowered by 25 mm (1 inch) to give it a more feminine appearance.
Description

The Imperial State Crown is 31.5 cm (12.4 in) tall and weighs 1.06 kg (2.3 lb), and has four fleurs-de-lis and four crosses pattée, supporting two arches topped by a monde and cross pattée. Its purple velvet cap is trimmed with ermine. The frame is made of gold, silver and platinum, and decorated with 2,868 diamonds, 273 pearls, 17 sapphires, 11 emeralds, and 5 rubies.

Imperial State Crown with the Stuart Sapphire in its present location in the back of the crown.

Notable stones are St Edward’s Sapphire on the top cross, reputedly taken from the ring of Edward the Confessor when he was re-interred at Westminster Abbey in 1163, and the Black Prince’s Ruby (a large spinel) on the front cross. In 1909, the 104-carat (21 g) Stuart Sapphire, set in the front of the crown, was moved to the back and replaced by the 317-carat (63 g) Cullinan II. Below the monde hang four pearls, three of which are often said to have belonged to Queen Elizabeth I, but the association is almost certainly erroneous.
Usage

The crown is worn by the monarch on leaving Westminster Abbey at the end of his or her coronation. It is usually also worn at State Openings of Parliament, although Elizabeth II wore a hat in March 1974, June 2017 and December 2019 after snap general elections, and in October 2019 she wore the State Diadem, while the Imperial State Crown was carried beside her.

Usually, it is taken to the Palace of Westminster under armed guard in its own carriage and placed in the Robing Room, where the Queen dons her robes and puts on the crown before giving her speech to Parliament. If a State Opening occurs before a coronation, the crown is placed on a cushion beside the monarch. In 1689, one week after being proclaimed king, William III wore his crown in Parliament to pass the Crown and Parliament Recognition Act 1689. When not in use, the Imperial State Crown is on public display in the Jewel House at the Tower of London.
Gallery

My Favorite Crown #2. St. Edward’s Crown

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coronation, Crown Jewels, Edward the Confessor, English Civil War, King Charles II of England, King Edward VII of the United Kingdom of Great Britain, Oliver Cromwell, Queen Elizabeth II of the United Kingdom, Regalia, St. Edward's Crown

St Edward’s Crown is the centrepiece of the Crown Jewels of the United Kingdom. Named after Saint Edward the Confessor, it has been traditionally used to crown English and British monarchs at their coronations since the 13th century.

The original crown was a holy relic kept at Westminster Abbey, Edward’s burial place, until the regalia was either sold or melted down when Parliament abolished the monarchy in 1649, during the English Civil War.

The present version of St Edward’s Crown was made for Charles II in 1661. It is solid gold, 30 centimetres (12 in) tall, weighs 2.23 kilograms (4.9 lb), and is decorated with 444 precious and semi-precious stones. The crown is similar in weight and overall appearance to the original, but its arches are Baroque.

A stylised image of this crown is used on coats of arms, badges, logos and various other insignia in the Commonwealth realms to symbolise the royal authority of Queen Elizabeth II.

When not in use, St Edward’s Crown is on public display in the Jewel House at the Tower of London.

Description

St Edward’s Crown is 22-carat gold, with a circumference of 66 cm (26 in), measures 30 cm (12 in) tall, and weighs 2.23 kg (4.9 lb). It has four fleurs-de-lis and four crosses pattée, supporting two dipped arches topped by a monde and cross pattée, the arches and monde signifying an imperial crown. Its purple velvet cap is trimmed with ermine. It is set with 444 precious and semi-precious stones, including 345 rose-cut aquamarines, 37 white topazes, 27 tourmalines, 12 rubies, 7 amethysts, 6 sapphires, 2 jargoons, 1 garnet, 1 spinel and 1 carbuncle.

Usage

Although it is regarded as the official coronation crown, after 1689, it was not used to crown a monarch for over 200 years. In 1911, the tradition was revived by George V, and all subsequent monarchs (except Edward VIII who was not crowned at all) have been crowned using St Edward’s Crown.

Only six monarchs have been crowned with St Edward’s Crown since the Restoration: Charles II (1661), James II (1685), William III (1689), George V (1911), George VI (1937) and Elizabeth II (1953). Mary II and Anne were crowned with small diamond crowns of their own; George I, George II, George III and William IV with the State Crown of George I; George IV with a large new diamond crown made specially for the occasion; and Queen Victoria and Edward VII chose not to use St. Edward’s Crown because of its weight and instead used the lighter 1838 version of the Imperial State Crown. When not used to crown the monarch, St Edward’s Crown was placed on the altar during the coronation; however, it did not feature at all at the coronation of Queen Victoria.

In heraldry

St Edward’s Crown is widely used as a heraldic emblem of the United Kingdom, being incorporated into a multitude of emblems and insignia. As the United Kingdom is a constitutional monarchy with responsible government, the crown can also symbolise “the sovereignty (or authority) of the monarch.” It can be found on, amongst others, the Royal Cypher; the Royal Arms of the United Kingdom; the Royal Badges of England; and the badges of the police forces of England and Wales, Her Majesty’s Coastguard, the British Army, the Royal Marines, the Royal Air Force and HM Revenue and Customs. It also forms the logo of Royal Mail, the United Kingdom’s postal service. (In Scotland, the Crown of Scotland may appear in place of St Edward’s Crown).
History

Edward the Confessor wore his crown at Easter, Whitsun, and Christmas. In 1161, he was made a saint, and objects connected with his reign became holy relics. The monks at his burial place of Westminster Abbey claimed that Edward had asked them to look after his regalia in perpetuity for the coronations of all future English kings.

Although the claim is likely to have been an exercise in self-promotion on the abbey’s part, and some of the regalia probably had been taken from Edward’s grave when he was reinterred there, it became accepted as fact, thereby establishing the first known set of hereditary coronation regalia in Europe. A crown referred to as St Edward’s Crown is first recorded as having been used for the coronation of Henry III in 1220, and it appears to be the same crown worn by Edward.

Holy relic

An early description of the crown is “King Alfred’s Crown of gold wire-work set with slight stones and two little bells”, weighing 79.5 ounces (2.25 kg) and valued at £248 in total. It was sometimes called King Alfred’s Crown because of an inscription on the lid of its box, which, translated from Latin, read: “This is the chief crown of the two, with which were crowned Kings Alfred, Edward and others”. However, there is no evidence to support the belief that it dated from Alfred’s time, and in the coronation order it always has been referred to as St Edward’s Crown.

St Edward’s Crown rarely left Westminster Abbey, but when Richard II was forced to abdicate in 1399, he had the crown brought to the Tower of London, where he symbolically handed it to Henry IV, saying “I present and give to you this crown with which I was crowned king of England and all the rights dependent on it”.

It was used in 1533 to crown the second wife of Henry VIII, Anne Boleyn, which was unprecedented for a queen consort. In the Tudor period, three crowns were placed on the heads of monarchs at a coronation: St Edward’s Crown, the state crown, and a “rich crown” made specially for the king or queen. After the English Reformation, the new Church of England denounced the veneration of medieval relics and, starting with the coronation of Edward VI in 1547, the significance of St Edward’s Crown as a holy relic was played down in the ceremony.

During the English Civil War, Parliament sold the medieval St Edward’s Crown, regarded by Oliver Cromwell as symbolic of the “detestable rule of kings”.

Restoration

St. Edward’s Crown as it looked at the coronation of James II of England in 1685.

The monarchy was restored in 1660 and in preparation for the coronation of Charles II, who had been living in exile abroad, a new St Edward’s Crown was supplied by the Royal Goldsmith, Sir Robert Vyner. It was fashioned to closely resemble the medieval crown, with a heavy gold base and clusters of semi-precious stones, but the arches are decidedly Baroque.

In the late 20th century, it was assumed to incorporate gold from the original St Edward’s Crown, as they are almost identical in weight, and no invoice was produced for the materials in 1661. A crown was also displayed at the lying in state of Oliver Cromwell, Lord Protector of England from 1653 until 1658. On the weight of this evidence, writer and historian Martin Holmes, in a 1959 paper for Archaeologia, concluded that in the time of the Interregnum St Edward’s Crown was saved from the melting pot and that its gold was used to make a new crown at the Restoration.

His theory became accepted wisdom, and many books, including official guidebooks for the Crown Jewels at the Tower of London, repeated his claim as fact. In 2008, new research found that a coronation crown and sceptre were made in 1660 in anticipation of an early coronation, which had to be delayed several times. His other regalia were commissioned in 1661 after Parliament increased the budget as a token of their appreciation for the king. The crown at Cromwell’s lying in state was probably made of gilded base metal such as tin or copper, as was usual in 17th-century England; for example, a crown displayed at the funeral of James VI and I had cost only £5 and was decorated with fake jewels.

In 1671, Thomas Blood briefly stole the crown from the Tower of London, flattening it with a mallet in an attempt to conceal it. A new monde was created for the coronation of James II, and for William III the base was changed from a circle to an oval. After the coronation of William III in 1689, monarchs chose to be crowned with a lighter, bespoke coronation crown (e.g., the Coronation Crown of George IV) or their state crown, while St Edward’s Crown usually rested on the high altar.

20th century to present day

Edward VII intended to revive the tradition of being crowned with St. Edward’s Crown in 1902, but on coronation day he was still recovering from an operation for appendicitis, and instead he wore the lighter Imperial State Crown.

Jewels were hired for use in the crown and removed after the coronation until 1911, when it was permanently set with 444 precious and semi-precious stones. Imitation pearls on the arches and base were replaced with gold beads which at the time were platinum-plated. Its band was also made smaller to fit George V, the first monarch to be crowned with St Edward’s Crown in over 200 years, reducing the crown’s overall weight from 82 troy ounces (2.6 kg) to 71 troy ounces (2.2 kg).

It was used to crown his successor George VI in 1937, and Queen Elizabeth II in 1953, who adopted a stylised image of the crown for use on coats of arms, badges, logos and various other insignia in the Commonwealth realms to symbolise her royal authority. In these contexts, it replaced the Tudor Crown, which had been instated by Edward VII in 1901. Use of the crown’s image in this way is by permission of the monarch.

On 4 June 2013, St Edward’s Crown was displayed on the high altar in Westminster Abbey at a service to mark the 60th anniversary of Elizabeth II’s coronation, which was the first time it had left the Jewel House at the Tower of London since 1953.

Favorite Crown #3: The Tudor Crown.

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Crown of Henry VIII, English Civil War, Harry Colins, King Charles I of England, King Henry VIII of England, king James I-VI of England and Scotland, Queen Elizabeth I of England, The King’s Crown of Gold, The Tudor Crown

One of the interesting facts about this favorite Crown of mine is, it no longer exists except in replica form!

Tudor Crown

The Tudor Crown, also known as Henry VIII’s Crown, was the imperial and state crown used by the monarchs of England and Great Britain from around the time of Henry VIII up to the English Civil War in 1649. It was described by the art historian Sir Roy Strong as “a masterpiece of early Tudor jeweller’s art”, and its form has been compared to the crown of the Holy Roman Empire.

Description

Its date of manufacture is unknown, but Henry VII or his son and successor Henry VIII probably commissioned the crown, first documented in writing in a 1521 inventory of Henry VIII’s jewels, naming the crown as “the king’s crown of gold”. More elaborate than its medieval predecessor, it originally had two arches, five crosses pattée and five fleurs-de-lis, and was decorated with emeralds, sapphires, rubies, pearls, diamonds and, at one time, the Black Prince’s Ruby (a large spinel). The centre petals of the fleurs-de-lis had images of Christ, the Virgin Mary and St George, in an effort by Henry VIII to secure his position as head of the new Church of England. The crown was mentioned again in 1532, 1550, 1574 and 1597.

Fate of the Crown

After the death of Elizabeth I and the end of the Tudor dynasty, the Stuarts came to power in England. Both James I-VI and Charles I are known to have worn the crown. Following the abolition of the monarchy after the execution of Charles I in 1649, the Tudor Crown was broken up and its valuable components sold for £1,100. According to an inventory drawn up for the sale of the king’s goods, it weighed 7 lb 6 oz (3.3 kg).

Use in heraldry

From 1902 to 1953, a stylised image of the Tudor Crown was used in coats of arms, badges, logos and various other insignia throughout the Commonwealth realms to symbolise the Crown and the monarch’s royal authority.
Replica

In 2012, a replica of the crown, based on research by Historic Royal Palaces, was made by the retired royal jeweller Harry Collins, using authentic Tudor metalworking techniques and 344 pearls and gemstones. It can be viewed as part of an exhibition in the Royal Chapel at Hampton Court Palace.

Favorite Crown # 4: The Imperial Crown of Austria.

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Austria-Hungary, Austrian Empire, Holy Roman Emperor Charles V, Holy Roman Emperor Rudolf II, Holy Roman Empire, Imperial Crown of Austria, Imperial Crown of Rudolf II, Regalia

The Imperial Crown of Austria was made in 1602 in Prague by Jan Vermeyen as the personal crown of Holy Roman Emperor Rudolf II, and therefore is also known as the Crown of Emperor Rudolf II. The crown was used as a private crown of the Holy Roman Emperors and Kings of Hungary and Bohemia from the House of Habsburg. In 1804 it became the official crown of the newly constituted Austrian Empire. After 1867 it remained the imperial crown of the Cisleithanian part of the Austro-Hungarian Empire until 1918.

Rudolf II (July 18, 1552 – January 20, 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the House of Habsburg.

He was the eldest son and successor of Maximilian II, Holy Roman Emperor, King of Bohemia, and King of Hungary and Croatia; his mother was Infanta Maria of Spain, a daughter of Charles V (Carlos I of Spain) and Infante Isabella of Portugal. He was the elder brother of Matthias who was to succeed him as king of Bohemia and Holy Roman Emperor.

Since the Imperial Regalia of the Holy Roman Empire, including the Crown, were kept in Nuremberg and could only leave the city for a coronation, some rulers had their own personal crowns made. For example, when they attended a session of the Imperial Diet (Reichstag), they attended with their own crowns. The oldest depiction of such a private crown is an etching by the artist Albrecht Dürer of Emperor Maximilian I, where a depiction of a crown is seen that might have later influenced the appearance of the crown of Rudolf II.

Rudolf II, Holy Roman Emperor.

The Imperial Crown of the Habsburg Empire of Austria was never used for a coronation, since, unlike the Holy Roman Empire, it was a hereditary monarchy and such an act of legitimization was not seen as necessary. The ceremony held was an act of investiture to mark the monarch’s official ascension to the throne rather than a coronation.

The crown of Rudolf II was made in 1602 in Prague by Jan Vermeyen, one of the most outstanding goldsmiths of his time, who was called specially from Antwerp. The crown is made out of three parts: the circlet (Kronreif), the high arch (Kronbügel), and a mitre (Mitra).

In the earlier forms of the Western mitre the peaks or ‘horns’ were over the ears, rather than over the face and back of the head. The form of mitre used in the imperial mitral crown preserved this earlier form. This form of the imperial mitre-crown can be seen in the extant portraits of such emperors as Friedrich III and Maximilian I, The bronze effigy of Maximilian I found on his monumental cenotaph in the court church in Innsbruck has a crown with two arches which cross over the top of the mitre and the unique form of the imperial crown adopted by Maximilian as Emperor of Mexico appears to have been modeled on this form, but with the half-arches and the eagles on the circlet on the front, back and sides.

In the later 17th century Baroque form of mitral crown of Leopold I the peaks of the mitre have been rounded into the hemispherical form Peter the Great would adopt as the Imperial Crown of Russia when he took the title emperor as Russian sovereign.

Although it is often assumed that the Imperial Crown made for Otto I with its single arch over its inner red cap was the original prototype for the western imperial crown, it is also possible that the Byzantine imperial crown, which in the twelfth century also became closed with two arches, inspired the western emperors to follow their example and also close their crowns with such a pair of arches.

The Imperial Crown is associated with the Imperial Orb and Sceptre, and they are displayed together in the Imperial Treasury at the Hofburg Palace in Vienna, Austria. The Imperial Orb was commissioned in 1612 by Rudolf’s brother and successor, Holy Roman Emperor Matthias, and was created by Andreas Ochsenbruck. The shape takes its inspiration from the crown, especially the enamel-work which is in the same style.

It is topped by a large sapphire. A peculiarity of the Sceptre is that it was said to be made from unicorn horn, but in fact it was made from the horn of a narwhal. The Imperial Orb and Sceptre were already in use before the proclamation of the Austrian Empire, as Bohemian royal regalia and for the hereditary private estates (Erbhuldigung) of the Archduchy of Austria.

Favorite Crown #5. Crown of King Christian V of Denmark.

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Christian V of Denmark, Crown Jewels of Denmark, Crown of King Christian V of Denmark, Crowns, Frederick III of Denmark, King Louis XIV of France and Navarre, King of Denmark and Norway, National Coat of arms of Denmark, Regalia, Royal Coat of Arms

Christian V (April 15, 1646 – August 25, 1699) was king of Denmark and Norway from 1670 until his death in 1699.

Well-regarded by the common people, he was the first king anointed at Frederiksborg Castle chapel as an absolute monarch since the decree that institutionalized the supremacy of the king in Denmark-Norway, he fortified the absolutist system against the aristocracy by accelerating his father’s practice of allowing Holstein nobles but also Danish and Norwegian commoners into state service.

Christian V, King of Denmark and Norway

Christian V of Denmark and Norway was the son of King Frederik III (1609-1670) was king of Denmark and Norway from 1648 until his death in 1670. Christian V’s mother was Princess Sophie-Amalie of Brunswick-Lüneburg who was born at the Herzberg Castle, in Herzberg am Harz. Her parents were Georg, Duke of Brunswick-Lüneburg and Anne-Eleonore of Hesse-Darmstadt.

King Christian V was married to Charlotte-Amalie of Hesse-Cassel was born in Cassel, Hesse, Holy Roman Empire. Her parents were Landgrave Willhelm VI of Hesse-Cassel and his consort Hedwig-Sophia of Brandenburg.

The crown of King Christian V of Denmark was the crown used at the coronation of all of Denmark’s absolutist kings. While the reign of such monarchs ended in 1849, the crown is still used during a Danish king’s castrum doloris, the last time in 1972.

Used by the kings from Christian V to Christian VIII. Made by Paul Kurtz in Copenhagen, 1670–1671. Gold with enamel and table-cut stones. Total weight 2080 g. Also 2 garnets and 2 sapphires, of which the largest dates back to Frederik I of Denmark.

Frederik III had large parts of his daughters’ trousseau bought in Paris, which, already at that time, was a centre for European fashion. But the jewellery was commissioned to Kurtz. He was, therefore, considered an outstanding jeweller. In 1670–1671 he made his principal piece of work, Crown of Christian V.

The closed shape was inspired by the crown of Louis XIV of France, but Kurtz replaced the lily-shaped points of the French crown with palmettes and adorned the crown with a row of diamonds intertwined with palmette and acanthus. In that way a “white” play of light was created, which was framed by blue and red in the sapphires and garnets of the crown ring and the orb and cross in the top.

The crown forms part of the National Coat of arms of Denmark and the Royal Coat of arms. Since 1671, the crown has been the de facto symbol of the state power. It is included in stylized and varied forms in most state institutions, including ministries.

My Favorite Crowns. #6: The Imperial Crown of Russia. Part II.

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Agathon Fabergé, Emperor Nicholas II of Russia, Emperor Paul of Russia, Emperors of Russia, Empress Alexandra Fyodorovna, Empress Maria Feodorovna, Imperial Crown of Russia, Lesser Imperial Crown, October Revolution, Peter Carl Fabergé, The Duma

Part II

There was also a Lesser Imperial Crown, very similar in style and workmanship to the Great Imperial Crown, only smaller and entirely set with diamonds, made for Empress Maria Feodorovna, the consort of Paul I, that was used for the coronation of the Empress. At the coronation of Nicholas II in 1896, the smaller crown was worn by Dowager Empress Maria Feodorovna, as was her right as a crowned Empress.

Lesser Imperial Crown

A second identical lesser Imperial Crown was made for the young Empress Alexandra Feodorovna to wear. Dowager Empresses outranked reigning Empress Consorts at the Russian Court.
In 1900, the workshop of Peter Carl Fabergé in St. Petersburg made a replica in miniature of the Imperial Regalia (the Great Imperial Crown, the Lesser Imperial Crown, the Imperial Orb and Sceptre) out of silver, gold, diamonds, sapphires, and rubies, the whole set on a marble pedestal. The work is now in the collection of the Hermitage Museum.

Following the tradition of the Byzantine Emperors, the Tsar of Russia placed the crown upon his own head. This left no doubt that, in the Russian system, the imperial power came directly from God. The prayer of the Metropolitan, similar to that of the Patriarch of Constantinople for the Byzantine Emperor, confirmed the imperial supremacy.

Emperor Paul of Russia wearing the Imperial Crown

A few days prior to the crowning service itself, the Emperor made a processional entry into Moscow, where coronations were always held (even when the capital was in St. Petersburg). Following this, the Imperial regalia were brought from the Kremlin armory into the Tsar’s Kremlin palace, where they would accompany the new emperor on his procession to the Dormition Cathedral on the morning of his coronation. This procession commenced at the Red Porch and ended at the church doors, where the presiding prelate and other bishops blessed the Tsar and his consort with holy water and offered them the Holy Cross to kiss.

After the Emperor entered the cathedral, he and his spouse venerated the icons there and took their places on two thrones set up in the center of the cathedral. After the sovereign had recited the Nicene Creed as his profession of faith, and after an invocation of the Holy Ghost and a litany, the emperor assumed the purple chlamys, and the crown was then presented to him. He took it and placed it on his head himself, while the Metropolitan recited:
In the name of the Father, and of the Son, and of the Holy Spirit, Amen.

The Metropolitan would then make the following short address:
Most God-fearing, absolute, and mighty Lord, Tsar of all the Russias, this visible and tangible adornment of thy head is an eloquent symbol that thou, as the head of the whole Russian people, art invisibly crowned by the King of kings, Christ, with a most ample blessing, seeing that He bestows upon thee entire authority over His people.

Following this, the new Emperor crowned his consort, first briefly with his own crown (by touching it momentarily to her head before putting it back on his own), then with a smaller crown of her own. Further prayers and litanies were read, then the Emperor was anointed just prior to reception of Holy Communion during the Divine Liturgy. He was invited to enter the altar area through the Royal Doors (normally reserved solely to the clergy) and partake of Communion as a priest would. Further prayers and blessings concluded the service, which was followed by a special feast held in the Kremlin’s Palace of Facets.

Russia’s last coronation was in 1896, for Emperor Nicholas II and Empress Alexandra. The last occasion on which the Great Imperial Crown was officially used was the State Opening of the Duma in 1906.

Emperor Nicholas II wearing the Imperial Crown

In 1913, Agathon Fabergé, son of Peter Carl Fabergé of the House of Fabergé, the crown jewellers, recommended that the Imperial regalia be re-catalogued and overhauled. The Emperor gave his approval and by July 1914, work on the Imperial orb and sceptre had been completed, and work was about to commence on the crowns. Rising tensions and the outbreak of the First World War put a stop to further work, and the regalia items were loaded into nine strong-boxes and sent from Saint Petersburg to Moscow for safekeeping. They were stored in the Kremlin Armoury. The crown remained there with the rest of the regalia during and after the February and October Revolutions in 1917.

In 1922, they were re-catalogued and transferred to the State Treasury. The crown and other pieces of jewellery and regalia were collected into the State Depository of Treasures, later the Diamond Fund, and discussions were carried out with French and British experts as to the possibility of selling off some of the crown jewels to raise foreign currency. The experts advised against selling such pieces as the crown, orb and sceptre, arguing that they were unlikely to attract their historic worth. Nevertheless, the crown jewels were exhibited in 1922 for two journalists of the New York Times, who later wrote:

‘Here’, says Begasheff [head of the jewellery commission], opening the box with hands that tremble ever so little despite his air of unconcern, ‘is the crown of the Emperor, 32,800 carats of diamonds.’
‘Is it heavy?’
‘No’, said one of the workmen, ‘5 pounds at most – try it,’ and placed it straight away on my head.

My Favorite Crowns. #6: The Imperial Crown of Russia. Part I.

Tags

Catherine II of Russia, Catherine the Great, Crown of Monomakh, Crowns of Europe, Emperor Franz Joseph, Regalia, The Imperial Crown of Russia

The Imperial Crown of Russia, also known as the Great Imperial Crown, was used by the monarchs of Russia from 1762 until the Russian monarchy’s abolition in 1917. The Great Imperial Crown was first used in a coronation by Empress Catherine II the Great, and it was last worn at the coronation of Emperor Nicholas II. It was displayed prominently next to Emperor Nicholas II on a cushion at the State Opening of the Russian Duma inside the Winter Palace in St. Petersburg in 1906. It survived the 1917 revolution and is currently on display in Moscow at the Kremlin Armoury’s State Diamond Fund.

The Great Imperial Crown

By 1613, when Michael Romanov, the first Tsar of the Romanov Dynasty, was crowned, the Russian regalia included a pectoral cross, a golden chain, a barmas (wide ceremonial collar), the Crown of Monomakh, sceptre, and orb. Over the centuries, various Tsars had fashioned their own private crowns, modeled for the most part after the Crown of Monomakh, but these were for personal use and not for the coronation.

Crown of Monomakh

In 1719, Tsar Peter I the Great founded the earliest version of what is now known as the Russian Federation’s State Diamond Fund. Peter had visited other European nations, and introduced many innovations to Russia, one of which was the creation of a permanent fund (фонд) to house a collection of jewels that belonged not to the Romanov family, but to the Russian State. Peter placed all of the regalia in this fund and declared that the state holdings were inviolate and could not be altered, sold, or given away—and he also decreed that each subsequent Emperor or Empress should leave a certain number of pieces acquired during their reign to the State, for the permanent glory of the Russian Empire.

Catherine II the Great

From this collection came a new set of regalia, including eventually the Great Imperial Crown, to replace the Crown of Monomakh and other crowns used by earlier Russian Tsars and Grand Princes of Muscovy, as a symbol of the adoption of the new title of Emperor in 1721.

The court jeweller Ekart and Jérémie Pauzié made the Great Imperial Crown for the coronation of Catherine the Great in 1762. The beautiful crown reflects Pauzié’s skilled workmanship. It is adorned with 4,936 diamonds arranged in splendid patterns across the entire surface of the crown. Bordering the edges of the “mitre” are a number of fine, large white pearls. The crown is also decorated with one of the seven historic stones of the Russian Diamond Collection: a large precious red spinel weighing 398.72 carats (79.744 g), which was brought to Russia by Nicholas Spafary, the Russian envoy to China from 1675 to 1678. It is believed to be the second largest spinel in the world.

In formally adopting the Western term “Emperor” for the ruler of Russia, Peter the Great also adopted Western imperial symbols, including the form of the private crowns (Hauskrone) used by the Holy Roman Emperors (of which the only surviving example is the Austrian imperial crown of Holy Roman Emperor Rudolf II, the Imperial Crown of Austria), in which a circlet with eight fleur-de-lis surrounds a mitre with a high arch extending from the front to the back fleur-de-lis.

Already in Austria some baroque representations of this type of crown found on statues of the saints had already transformed the two halves of the mitre into two half-spheres, and this is the type of imperial crown used in Russia. Emperor Peter’s widow and successor, Empress Catherine I, was the first Russian ruler to wear this form of imperial crown.

In the Great Imperial Crown which the court jewellers Pauzié and J. F. Loubierin made for Empress Catherine II in 1762, these hemispheres are in open metalwork resembling basketwork with the edges of both the hemispheres bordered with a row of 37 very fine, large, white pearls. They rest on a circlet of nineteen diamonds, all averaging over 5 carats (1.0 g) in weight, the largest being the large Indian pear-shaped stone of 12⅝ cts in front, set between two bands of diamonds above and below. Posier showed his creative genius by replacing the eight fleur-de-lis with four pairs of crossed palm branches, while the arch between them is made up of oaks leaves and acorns in small diamonds surrounding a number of large diamonds of various shapes and tints running from the front pair of crossed palms to the back pair of crossed palms, while the basketwork pattern of the two hemispheres are divided by two strips of similar oak leaves and acorns from the two side pairs of palm branches stretching up to the rows of large pearls on their borders.

At the center and apex of the central arch is a diamond rosette of twelve petals from which rises a large red spinel, weighing 398.72 carats (79.744 grams), one of the seven historic stones of the Russian Diamond Collection, which was brought to Russia by Nicholas Spafary, the Russian envoy to China from 1675 to 1678. It is believed to be the second largest spinel in the world.

This spinel, in turn, is surmounted by a cross of five diamonds, representing the Christian faith of the Sovereign, the God-given power of the monarchy and the supremacy of the divine order over earthly power. Except for the two rows of large white pearls the entire surface of the crown is covered with 4936 diamonds and is quite heavy, weighing approximately nine pounds (by contrast, the Crown of Monomakh weighs only two pounds). It was unfinished in time for Catherine’s coronation and the original colored stones (e.g., emeralds in the palm branches and laurel leaves) were replaced with diamonds for the coronation of Emperor Paul I in 1797. It was used at every subsequent coronation until that of Emperor Nicholas II in 1896 and was last in imperial period at the State Opening of the Duma in 1906.

Favorite Crown #7: Imperial Crown of the Holy Roman Empire. Part II.

Tags

Byzantine Empire, Charles IV, Conrad II, Henry II, Holy Roman Emperor, Imperial Crown of the Holy Roman Empire, Imperial State Crown.

Appearance

The Imperial Crown does not look like most more modern crowns. The crown does not have a round shape, but an octagonal one, very much and intentionally so resembling the looks of crowns of Byzantine emperors. Instead of a ring, it has eight hinged plates which are arched at the top. Two strips of iron, riveted with golden rivets to the plates, hold the crown together and give it its octagonal shape. At what point these iron strips were installed is unknown. Before the addition of the rings the plates were held together by long golden pins thus making it possible to separate the plates and the arch for easier transport.

Each plate of the crown is made out of a high carat gold, around 22 carats, which gives the crown a “buttery” colour, and is studded with pearls and precious stones. The stones are not cut into facets (a technique still unknown when the crown was made), but rather polished into rounded shapes. This technique is an ancient one and gemstones like this are described as being “en cabochon”, which are still made to this day. The pearls and the stones were put into openings that were cut into the metal, and fastened with thin wires. The effect was that when the light shone in, the stones looked as if they would shine from within.

The crown is decorated with 144 precious stones (including sapphires, emeralds and amethysts) (green and blue precious stones being proper to emperors in Byzantine imperial protocol) and about the same number of pearls. Similar gem-studded styles of decoration were used for precious objects of a number of types at this period, in particular religious ones such as reliquaries, crux gemmata or, processional or altar crosses such as the Cross of Lothair, and book-covers such as that of the Codex Aureus of St. Emmeram and Codex Aureus of Echternach.

Four smaller plaques bear pictorial representations of figures and scenes from the Bible and inscriptions in cloisonné enamel, in the Byzantine senkschmelz style. The four plates, called ‘picture-plates’ (Bildplatten) each shows representations from the Old Testament. Each of these enamelled plates is surrounded by blue sapphires and pearls in raised filigree settings. The Front Right Plate shows Christ in Majesty between two cherubim beneath the inscription in red enamel P[er] ME REGES REGNANT “By me kings reign” (Proverbs 8:15).

The Back Right Plate shows the Prophet Isaiah standing and speaking to King Hezekiah, who is shown sitting on his bed. Isaiah holds a scroll with the words, “Behold, I will add fifteen years to your life” (II Kings 20:6). Above both Isaiah and Hezekiah is the inscription in red enamel ISAIAS P[ro]PHETA · EZECHIAS REX “Prophet Isaiah – King Hezekiah”. The Front Left Plate shows King Solomon holding a scroll with the words, “Fear the Lord and flee from evil” (Proverbs 3:7), beneath an inscription in red enamel REX SALOMON “King Solomon”. The Back Left Plate shows King David holding a scroll with the words, “The renowned king delights in doing justice” (Psalm 99:4), beneath the inscription in red enamel REX DAVID “King David”.

The other four plates, called ‘stone-plates’ (Steinplatten), are of differing sizes and are decorated solely by precious stone and pearls in raised filigree settings. The twelve stones on the front and back plates are probably a direct reference to the twelve stones of the Jewish high priest’s breastplate (cf. Exodus 39:9-14) and to the twelve foundation stones of the New Jerusalem in the Revelation to John (Cf. Revelation 21: 19-21).

The top central stone of the front plate is a triangular sapphire which replaces a famous stone, now lost, which was known as the Waise (i.e., the ‘Orphan’, because of its uniqueness), probably a large white opal with a wine-red fire or possibly a singularly brilliant garnet or red zircon and the subject of much legendary medieval lore. The medieval theologian and philosopher Albert the Great wrote about it in 1250:

The orphan is a jewel in the crown of the Roman emperor. Because the like of it has never been seen elsewhere it is called the “orphan”. It has the color of wine, of delicate red wine and it is as if the dazzling, white of snow penetrates the bright wine red and yet it remains dormant in this redness. The gem shines powerfully and it is said that it once even shone at night, but not in our time, but it is said to preserve the honour of the empire.

How or why it was removed from the Imperial Crown is not known. The last mention of it is in an inventory ordered by Charles IV in 1350.

The crown has a single arch from the front to the back plate with the name and imperial style of Conrad II (1024 – 1039) in seed pearls. On the left side of this arch these seed pearls spell out the words CHUONRADUS DEI GRATIA “Conrad, by the Grace of God”, while on the right side they read ROMANORU (M) IMPERATOR AUG(USTUS) “Emperor of the Romans (and) Augustus”. Above the front plate and in front of the arch is a jewelled cross, originally a pectoral cross said to have belonged to Heinrich II. And only later attached to the Imperial Crown. Both, arch and cross, were probably added during Conrad’s reign only.

There are also three small holes on each of the two side stone-plates from which chains with pendant jewels, known as pendilia, like those still found on the Hungarian Holy Crown of St. Stephan probably hung.

The present red velvet cap on the inside of the crown dates from the 17th century. Before this the imperial crown was worn over a miter. If originally the form of the miter the imperial crown was intended to be worn over had the form of the Byzantine ‘camelaucum’ the arch would have depressed the centre of the now collapsed inner cap causing it to bulge up on either side much as the embroidered ribbon from front to back on the eleventh century bishops’ miters caused their linen fabric to bulge up on either side. Thus the Imperial Crown appears to be the earliest form of the miter crowns worn by the Holy Roman Emperors as a singular privilege of their imperial office.

The Imperial Crown was also the inspiration for the heraldic crown adopted in 1871 for the coat-of-arms of the German Emperor and Empire, although the latter crown had four half-arches supporting a small orb and cross, rather than the single arch of the original.