My Favorite Crown #2. St. Edward’s Crown

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coronation, Crown Jewels, Edward the Confessor, English Civil War, King Charles II of England, King Edward VII of the United Kingdom of Great Britain, Oliver Cromwell, Queen Elizabeth II of the United Kingdom, Regalia, St. Edward's Crown

St Edward’s Crown is the centrepiece of the Crown Jewels of the United Kingdom. Named after Saint Edward the Confessor, it has been traditionally used to crown English and British monarchs at their coronations since the 13th century.

The original crown was a holy relic kept at Westminster Abbey, Edward’s burial place, until the regalia was either sold or melted down when Parliament abolished the monarchy in 1649, during the English Civil War.

The present version of St Edward’s Crown was made for Charles II in 1661. It is solid gold, 30 centimetres (12 in) tall, weighs 2.23 kilograms (4.9 lb), and is decorated with 444 precious and semi-precious stones. The crown is similar in weight and overall appearance to the original, but its arches are Baroque.

A stylised image of this crown is used on coats of arms, badges, logos and various other insignia in the Commonwealth realms to symbolise the royal authority of Queen Elizabeth II.

When not in use, St Edward’s Crown is on public display in the Jewel House at the Tower of London.

Description

St Edward’s Crown is 22-carat gold, with a circumference of 66 cm (26 in), measures 30 cm (12 in) tall, and weighs 2.23 kg (4.9 lb). It has four fleurs-de-lis and four crosses pattée, supporting two dipped arches topped by a monde and cross pattée, the arches and monde signifying an imperial crown. Its purple velvet cap is trimmed with ermine. It is set with 444 precious and semi-precious stones, including 345 rose-cut aquamarines, 37 white topazes, 27 tourmalines, 12 rubies, 7 amethysts, 6 sapphires, 2 jargoons, 1 garnet, 1 spinel and 1 carbuncle.

Usage

Although it is regarded as the official coronation crown, after 1689, it was not used to crown a monarch for over 200 years. In 1911, the tradition was revived by George V, and all subsequent monarchs (except Edward VIII who was not crowned at all) have been crowned using St Edward’s Crown.

Only six monarchs have been crowned with St Edward’s Crown since the Restoration: Charles II (1661), James II (1685), William III (1689), George V (1911), George VI (1937) and Elizabeth II (1953). Mary II and Anne were crowned with small diamond crowns of their own; George I, George II, George III and William IV with the State Crown of George I; George IV with a large new diamond crown made specially for the occasion; and Queen Victoria and Edward VII chose not to use St. Edward’s Crown because of its weight and instead used the lighter 1838 version of the Imperial State Crown. When not used to crown the monarch, St Edward’s Crown was placed on the altar during the coronation; however, it did not feature at all at the coronation of Queen Victoria.

In heraldry

St Edward’s Crown is widely used as a heraldic emblem of the United Kingdom, being incorporated into a multitude of emblems and insignia. As the United Kingdom is a constitutional monarchy with responsible government, the crown can also symbolise “the sovereignty (or authority) of the monarch.” It can be found on, amongst others, the Royal Cypher; the Royal Arms of the United Kingdom; the Royal Badges of England; and the badges of the police forces of England and Wales, Her Majesty’s Coastguard, the British Army, the Royal Marines, the Royal Air Force and HM Revenue and Customs. It also forms the logo of Royal Mail, the United Kingdom’s postal service. (In Scotland, the Crown of Scotland may appear in place of St Edward’s Crown).
History

Edward the Confessor wore his crown at Easter, Whitsun, and Christmas. In 1161, he was made a saint, and objects connected with his reign became holy relics. The monks at his burial place of Westminster Abbey claimed that Edward had asked them to look after his regalia in perpetuity for the coronations of all future English kings.

Although the claim is likely to have been an exercise in self-promotion on the abbey’s part, and some of the regalia probably had been taken from Edward’s grave when he was reinterred there, it became accepted as fact, thereby establishing the first known set of hereditary coronation regalia in Europe. A crown referred to as St Edward’s Crown is first recorded as having been used for the coronation of Henry III in 1220, and it appears to be the same crown worn by Edward.

Holy relic

An early description of the crown is “King Alfred’s Crown of gold wire-work set with slight stones and two little bells”, weighing 79.5 ounces (2.25 kg) and valued at £248 in total. It was sometimes called King Alfred’s Crown because of an inscription on the lid of its box, which, translated from Latin, read: “This is the chief crown of the two, with which were crowned Kings Alfred, Edward and others”. However, there is no evidence to support the belief that it dated from Alfred’s time, and in the coronation order it always has been referred to as St Edward’s Crown.

St Edward’s Crown rarely left Westminster Abbey, but when Richard II was forced to abdicate in 1399, he had the crown brought to the Tower of London, where he symbolically handed it to Henry IV, saying “I present and give to you this crown with which I was crowned king of England and all the rights dependent on it”.

It was used in 1533 to crown the second wife of Henry VIII, Anne Boleyn, which was unprecedented for a queen consort. In the Tudor period, three crowns were placed on the heads of monarchs at a coronation: St Edward’s Crown, the state crown, and a “rich crown” made specially for the king or queen. After the English Reformation, the new Church of England denounced the veneration of medieval relics and, starting with the coronation of Edward VI in 1547, the significance of St Edward’s Crown as a holy relic was played down in the ceremony.

During the English Civil War, Parliament sold the medieval St Edward’s Crown, regarded by Oliver Cromwell as symbolic of the “detestable rule of kings”.

Restoration

St. Edward’s Crown as it looked at the coronation of James II of England in 1685.

The monarchy was restored in 1660 and in preparation for the coronation of Charles II, who had been living in exile abroad, a new St Edward’s Crown was supplied by the Royal Goldsmith, Sir Robert Vyner. It was fashioned to closely resemble the medieval crown, with a heavy gold base and clusters of semi-precious stones, but the arches are decidedly Baroque.

In the late 20th century, it was assumed to incorporate gold from the original St Edward’s Crown, as they are almost identical in weight, and no invoice was produced for the materials in 1661. A crown was also displayed at the lying in state of Oliver Cromwell, Lord Protector of England from 1653 until 1658. On the weight of this evidence, writer and historian Martin Holmes, in a 1959 paper for Archaeologia, concluded that in the time of the Interregnum St Edward’s Crown was saved from the melting pot and that its gold was used to make a new crown at the Restoration.

His theory became accepted wisdom, and many books, including official guidebooks for the Crown Jewels at the Tower of London, repeated his claim as fact. In 2008, new research found that a coronation crown and sceptre were made in 1660 in anticipation of an early coronation, which had to be delayed several times. His other regalia were commissioned in 1661 after Parliament increased the budget as a token of their appreciation for the king. The crown at Cromwell’s lying in state was probably made of gilded base metal such as tin or copper, as was usual in 17th-century England; for example, a crown displayed at the funeral of James VI and I had cost only £5 and was decorated with fake jewels.

In 1671, Thomas Blood briefly stole the crown from the Tower of London, flattening it with a mallet in an attempt to conceal it. A new monde was created for the coronation of James II, and for William III the base was changed from a circle to an oval. After the coronation of William III in 1689, monarchs chose to be crowned with a lighter, bespoke coronation crown (e.g., the Coronation Crown of George IV) or their state crown, while St Edward’s Crown usually rested on the high altar.

20th century to present day

Edward VII intended to revive the tradition of being crowned with St. Edward’s Crown in 1902, but on coronation day he was still recovering from an operation for appendicitis, and instead he wore the lighter Imperial State Crown.

Jewels were hired for use in the crown and removed after the coronation until 1911, when it was permanently set with 444 precious and semi-precious stones. Imitation pearls on the arches and base were replaced with gold beads which at the time were platinum-plated. Its band was also made smaller to fit George V, the first monarch to be crowned with St Edward’s Crown in over 200 years, reducing the crown’s overall weight from 82 troy ounces (2.6 kg) to 71 troy ounces (2.2 kg).

It was used to crown his successor George VI in 1937, and Queen Elizabeth II in 1953, who adopted a stylised image of the crown for use on coats of arms, badges, logos and various other insignia in the Commonwealth realms to symbolise her royal authority. In these contexts, it replaced the Tudor Crown, which had been instated by Edward VII in 1901. Use of the crown’s image in this way is by permission of the monarch.

On 4 June 2013, St Edward’s Crown was displayed on the high altar in Westminster Abbey at a service to mark the 60th anniversary of Elizabeth II’s coronation, which was the first time it had left the Jewel House at the Tower of London since 1953.

Favorite Crown # 4: The Imperial Crown of Austria.

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Austria-Hungary, Austrian Empire, Holy Roman Emperor Charles V, Holy Roman Emperor Rudolf II, Holy Roman Empire, Imperial Crown of Austria, Imperial Crown of Rudolf II, Regalia

The Imperial Crown of Austria was made in 1602 in Prague by Jan Vermeyen as the personal crown of Holy Roman Emperor Rudolf II, and therefore is also known as the Crown of Emperor Rudolf II. The crown was used as a private crown of the Holy Roman Emperors and Kings of Hungary and Bohemia from the House of Habsburg. In 1804 it became the official crown of the newly constituted Austrian Empire. After 1867 it remained the imperial crown of the Cisleithanian part of the Austro-Hungarian Empire until 1918.

Rudolf II (July 18, 1552 – January 20, 1612) was Holy Roman Emperor (1576–1612), King of Hungary and Croatia (as Rudolf I, 1572–1608), King of Bohemia (1575–1608/1611) and Archduke of Austria (1576–1608). He was a member of the House of Habsburg.

He was the eldest son and successor of Maximilian II, Holy Roman Emperor, King of Bohemia, and King of Hungary and Croatia; his mother was Infanta Maria of Spain, a daughter of Charles V (Carlos I of Spain) and Infante Isabella of Portugal. He was the elder brother of Matthias who was to succeed him as king of Bohemia and Holy Roman Emperor.

Since the Imperial Regalia of the Holy Roman Empire, including the Crown, were kept in Nuremberg and could only leave the city for a coronation, some rulers had their own personal crowns made. For example, when they attended a session of the Imperial Diet (Reichstag), they attended with their own crowns. The oldest depiction of such a private crown is an etching by the artist Albrecht Dürer of Emperor Maximilian I, where a depiction of a crown is seen that might have later influenced the appearance of the crown of Rudolf II.

Rudolf II, Holy Roman Emperor.

The Imperial Crown of the Habsburg Empire of Austria was never used for a coronation, since, unlike the Holy Roman Empire, it was a hereditary monarchy and such an act of legitimization was not seen as necessary. The ceremony held was an act of investiture to mark the monarch’s official ascension to the throne rather than a coronation.

The crown of Rudolf II was made in 1602 in Prague by Jan Vermeyen, one of the most outstanding goldsmiths of his time, who was called specially from Antwerp. The crown is made out of three parts: the circlet (Kronreif), the high arch (Kronbügel), and a mitre (Mitra).

In the earlier forms of the Western mitre the peaks or ‘horns’ were over the ears, rather than over the face and back of the head. The form of mitre used in the imperial mitral crown preserved this earlier form. This form of the imperial mitre-crown can be seen in the extant portraits of such emperors as Friedrich III and Maximilian I, The bronze effigy of Maximilian I found on his monumental cenotaph in the court church in Innsbruck has a crown with two arches which cross over the top of the mitre and the unique form of the imperial crown adopted by Maximilian as Emperor of Mexico appears to have been modeled on this form, but with the half-arches and the eagles on the circlet on the front, back and sides.

In the later 17th century Baroque form of mitral crown of Leopold I the peaks of the mitre have been rounded into the hemispherical form Peter the Great would adopt as the Imperial Crown of Russia when he took the title emperor as Russian sovereign.

Although it is often assumed that the Imperial Crown made for Otto I with its single arch over its inner red cap was the original prototype for the western imperial crown, it is also possible that the Byzantine imperial crown, which in the twelfth century also became closed with two arches, inspired the western emperors to follow their example and also close their crowns with such a pair of arches.

The Imperial Crown is associated with the Imperial Orb and Sceptre, and they are displayed together in the Imperial Treasury at the Hofburg Palace in Vienna, Austria. The Imperial Orb was commissioned in 1612 by Rudolf’s brother and successor, Holy Roman Emperor Matthias, and was created by Andreas Ochsenbruck. The shape takes its inspiration from the crown, especially the enamel-work which is in the same style.

It is topped by a large sapphire. A peculiarity of the Sceptre is that it was said to be made from unicorn horn, but in fact it was made from the horn of a narwhal. The Imperial Orb and Sceptre were already in use before the proclamation of the Austrian Empire, as Bohemian royal regalia and for the hereditary private estates (Erbhuldigung) of the Archduchy of Austria.

Favorite Crown #5. Crown of King Christian V of Denmark.

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Christian V of Denmark, Crown Jewels of Denmark, Crown of King Christian V of Denmark, Crowns, Frederick III of Denmark, King Louis XIV of France and Navarre, King of Denmark and Norway, National Coat of arms of Denmark, Regalia, Royal Coat of Arms

Christian V (April 15, 1646 – August 25, 1699) was king of Denmark and Norway from 1670 until his death in 1699.

Well-regarded by the common people, he was the first king anointed at Frederiksborg Castle chapel as an absolute monarch since the decree that institutionalized the supremacy of the king in Denmark-Norway, he fortified the absolutist system against the aristocracy by accelerating his father’s practice of allowing Holstein nobles but also Danish and Norwegian commoners into state service.

Christian V, King of Denmark and Norway

Christian V of Denmark and Norway was the son of King Frederik III (1609-1670) was king of Denmark and Norway from 1648 until his death in 1670. Christian V’s mother was Princess Sophie-Amalie of Brunswick-Lüneburg who was born at the Herzberg Castle, in Herzberg am Harz. Her parents were Georg, Duke of Brunswick-Lüneburg and Anne-Eleonore of Hesse-Darmstadt.

King Christian V was married to Charlotte-Amalie of Hesse-Cassel was born in Cassel, Hesse, Holy Roman Empire. Her parents were Landgrave Willhelm VI of Hesse-Cassel and his consort Hedwig-Sophia of Brandenburg.

The crown of King Christian V of Denmark was the crown used at the coronation of all of Denmark’s absolutist kings. While the reign of such monarchs ended in 1849, the crown is still used during a Danish king’s castrum doloris, the last time in 1972.

Used by the kings from Christian V to Christian VIII. Made by Paul Kurtz in Copenhagen, 1670–1671. Gold with enamel and table-cut stones. Total weight 2080 g. Also 2 garnets and 2 sapphires, of which the largest dates back to Frederik I of Denmark.

Frederik III had large parts of his daughters’ trousseau bought in Paris, which, already at that time, was a centre for European fashion. But the jewellery was commissioned to Kurtz. He was, therefore, considered an outstanding jeweller. In 1670–1671 he made his principal piece of work, Crown of Christian V.

The closed shape was inspired by the crown of Louis XIV of France, but Kurtz replaced the lily-shaped points of the French crown with palmettes and adorned the crown with a row of diamonds intertwined with palmette and acanthus. In that way a “white” play of light was created, which was framed by blue and red in the sapphires and garnets of the crown ring and the orb and cross in the top.

The crown forms part of the National Coat of arms of Denmark and the Royal Coat of arms. Since 1671, the crown has been the de facto symbol of the state power. It is included in stylized and varied forms in most state institutions, including ministries.

My Favorite Crowns. #6: The Imperial Crown of Russia. Part I.

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Catherine II of Russia, Catherine the Great, Crown of Monomakh, Crowns of Europe, Emperor Franz Joseph, Regalia, The Imperial Crown of Russia

The Imperial Crown of Russia, also known as the Great Imperial Crown, was used by the monarchs of Russia from 1762 until the Russian monarchy’s abolition in 1917. The Great Imperial Crown was first used in a coronation by Empress Catherine II the Great, and it was last worn at the coronation of Emperor Nicholas II. It was displayed prominently next to Emperor Nicholas II on a cushion at the State Opening of the Russian Duma inside the Winter Palace in St. Petersburg in 1906. It survived the 1917 revolution and is currently on display in Moscow at the Kremlin Armoury’s State Diamond Fund.

The Great Imperial Crown

By 1613, when Michael Romanov, the first Tsar of the Romanov Dynasty, was crowned, the Russian regalia included a pectoral cross, a golden chain, a barmas (wide ceremonial collar), the Crown of Monomakh, sceptre, and orb. Over the centuries, various Tsars had fashioned their own private crowns, modeled for the most part after the Crown of Monomakh, but these were for personal use and not for the coronation.

Crown of Monomakh

In 1719, Tsar Peter I the Great founded the earliest version of what is now known as the Russian Federation’s State Diamond Fund. Peter had visited other European nations, and introduced many innovations to Russia, one of which was the creation of a permanent fund (фонд) to house a collection of jewels that belonged not to the Romanov family, but to the Russian State. Peter placed all of the regalia in this fund and declared that the state holdings were inviolate and could not be altered, sold, or given away—and he also decreed that each subsequent Emperor or Empress should leave a certain number of pieces acquired during their reign to the State, for the permanent glory of the Russian Empire.

Catherine II the Great

From this collection came a new set of regalia, including eventually the Great Imperial Crown, to replace the Crown of Monomakh and other crowns used by earlier Russian Tsars and Grand Princes of Muscovy, as a symbol of the adoption of the new title of Emperor in 1721.

The court jeweller Ekart and Jérémie Pauzié made the Great Imperial Crown for the coronation of Catherine the Great in 1762. The beautiful crown reflects Pauzié’s skilled workmanship. It is adorned with 4,936 diamonds arranged in splendid patterns across the entire surface of the crown. Bordering the edges of the “mitre” are a number of fine, large white pearls. The crown is also decorated with one of the seven historic stones of the Russian Diamond Collection: a large precious red spinel weighing 398.72 carats (79.744 g), which was brought to Russia by Nicholas Spafary, the Russian envoy to China from 1675 to 1678. It is believed to be the second largest spinel in the world.

In formally adopting the Western term “Emperor” for the ruler of Russia, Peter the Great also adopted Western imperial symbols, including the form of the private crowns (Hauskrone) used by the Holy Roman Emperors (of which the only surviving example is the Austrian imperial crown of Holy Roman Emperor Rudolf II, the Imperial Crown of Austria), in which a circlet with eight fleur-de-lis surrounds a mitre with a high arch extending from the front to the back fleur-de-lis.

Already in Austria some baroque representations of this type of crown found on statues of the saints had already transformed the two halves of the mitre into two half-spheres, and this is the type of imperial crown used in Russia. Emperor Peter’s widow and successor, Empress Catherine I, was the first Russian ruler to wear this form of imperial crown.

In the Great Imperial Crown which the court jewellers Pauzié and J. F. Loubierin made for Empress Catherine II in 1762, these hemispheres are in open metalwork resembling basketwork with the edges of both the hemispheres bordered with a row of 37 very fine, large, white pearls. They rest on a circlet of nineteen diamonds, all averaging over 5 carats (1.0 g) in weight, the largest being the large Indian pear-shaped stone of 12⅝ cts in front, set between two bands of diamonds above and below. Posier showed his creative genius by replacing the eight fleur-de-lis with four pairs of crossed palm branches, while the arch between them is made up of oaks leaves and acorns in small diamonds surrounding a number of large diamonds of various shapes and tints running from the front pair of crossed palms to the back pair of crossed palms, while the basketwork pattern of the two hemispheres are divided by two strips of similar oak leaves and acorns from the two side pairs of palm branches stretching up to the rows of large pearls on their borders.

At the center and apex of the central arch is a diamond rosette of twelve petals from which rises a large red spinel, weighing 398.72 carats (79.744 grams), one of the seven historic stones of the Russian Diamond Collection, which was brought to Russia by Nicholas Spafary, the Russian envoy to China from 1675 to 1678. It is believed to be the second largest spinel in the world.

This spinel, in turn, is surmounted by a cross of five diamonds, representing the Christian faith of the Sovereign, the God-given power of the monarchy and the supremacy of the divine order over earthly power. Except for the two rows of large white pearls the entire surface of the crown is covered with 4936 diamonds and is quite heavy, weighing approximately nine pounds (by contrast, the Crown of Monomakh weighs only two pounds). It was unfinished in time for Catherine’s coronation and the original colored stones (e.g., emeralds in the palm branches and laurel leaves) were replaced with diamonds for the coronation of Emperor Paul I in 1797. It was used at every subsequent coronation until that of Emperor Nicholas II in 1896 and was last in imperial period at the State Opening of the Duma in 1906.

April 12, 1577: Birth of King Christian IV of Denmark and Norway.

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Absolute Monarchy, Anne Catherine of Brandenburg, Christian IV of Denmark, coronation, Crown of Christian IV of Denmark, Elector of Hanover, Hereditary Monarchy, James VI-I of Scotland and England, King Frederik II of Denmark and Norway and Duke of Schleswig, King of Denmark, King of Norway, Prince Christian of Denmark, Regalia, Thirty Years War

Christian IV (April 12, 1577 – February 28, 1648) was King of Denmark and Norway and Duke of Holstein and Schleswig from 1588 to 1648. His 59-year reign is the longest of Danish monarchs, and of Scandinavian monarchies.

Christian was born at Frederiksborg Castle in Denmark on April 12, 1577 as the third child and eldest son of King Frederik II of Denmark–Norway and Sofie of Mecklenburg-Schwerin. He was descended, through his mother’s side, from king Hans of Denmark, and was thus the first descendant of King Hans to assume the crown since the deposition of King Christian II.

Christian IV, King of Denmark and Norway and Duke of Holstein and Schleswig

At the time, Denmark was still an elective monarchy, so in spite of being the eldest son Christian was not automatically heir to the throne. However, in 1580, at the age of 3, his father had him elected Prince-Elect and successor to the throne.

At the death of his father on April 4, 1588, Christian was 11 years old. He succeeded to the throne, but as he was still under-age a regency council was set up to serve as the trustees of the royal power while Christian was still growing up. It was led by chancellor Niels Kaas and consisted of the Rigsraadet council members Peder Munk (1534–1623), Jørgen Ottesen Rosenkrantz (1523–1596) and Christopher Walkendorf. His mother Queen Dowager Sofie, 30 years old, had wished to play a role in the government, but was denied by the Council. At the death of Niels Kaas in 1594, Jørgen Rosenkrantz took over leadership of the regency council.

In 1595, the Council of the Realm decided that Christian would soon be old enough to assume personal control of the reins of government. On August 17, 1596, at the age of 19, Christian signed his haandfæstning (lit. “Handbinding” viz. curtailment of the monarch’s power, a Danish parallel to the Magna Carta), which was an identical copy of his father’s from 1559.

Twelve days later, on August 29, 1596, Christian IV was crowned at the Church of Our Lady in Copenhagen by the Bishop of Zealand, Peder Jensen Vinstrup (1549–1614). He was crowned with a new Danish Crown Regalia which had been made for him by Dirich Fyring (1580–1603), assisted by the Nuremberg goldsmith Corvinius Saur.

Crown of Christian IV

Marriage

On November 30, 1597, he married Anne Catherine of Brandenburg, a daughter of Joachim Friedrich, Margrave of Brandenburg and Duke of Prussia, and his first wife Catherine of Brandenburg-Küstrin. Christian met her on his journey in Germany in 1595 and he decided to marry her. In 1596, Anne Catherine and her parents were present at his coronation, and the next year, the marriage was arranged.

The wedding took place in the castle of Haderslevhus in South Jutland the year after the coronation of Christian IV. She was crowned queen in 1598. She was given Beate Huitfeldt as the head of her ladies-in-waiting. She had six children, among them Christian, the Prince-Elect, who died a year before his father, and Frederik III who introduced absolute monarchy in Denmark. Her son, Ulrik, was murdered in 1633. Their two daughters, Sophia and Elisabeth, and the elder son, Frederik, died at a very young age.

Anne Catherine of Brandenburg

Anne Catherine was the only queen of Christian IV, but not much is known about her. She does not seem to have had much political influence. She often accompanied the King on his travels. In her time, she was praised for her modesty and deep religious feelings. There is no mention as to whether the marriage was happy or not, but her spouse took mistresses at the end of their marriage, notably with Kirsten Madsdatter.

King Christian IV is remembered as one of the most popular, ambitious, and proactive Danish kings, having initiated many reforms and projects. Christian IV obtained for his kingdom a level of stability and wealth that was virtually unmatched elsewhere in Europe. He engaged Denmark in numerous wars, most notably the Thirty Years’ War (1618–48), which devastated much of Germany, undermined the Danish economy, and cost Denmark some of its conquered territories.

Christian IV spent more time in Norway than any other Oldenberg monarch and no Oldenburg king made such a lasting impression on the Norwegian people. He visited the country a number of times and founded four cities. He rebuilt and renamed the Norwegian capital Oslo as Christiania after himself, a name used until 1925.

Christian was reckoned a typical renaissance king, and excelled in hiring in musicians and artists from all over Europe. Many English musicians were employed by him at several times, among them William Brade, John Bull and John Dowland. Dowland accompanied the king on his tours, and as he was employed in 1603, rumour has it he was in Norway as well. Christian was an agile dancer, and his court was reckoned the second most “musical” court in Europe, only ranking behind that of Elizabeth I of England. Christian maintained good contact with his sister Anne, who was married to James VI of Scotland. His other sister, Elizabeth, was married to Heinrich Julius; the Duke of Brunswick-Lüneburg, and artists and musicians travelled freely between the courts.

Christian IV at the Battle of Colberger Heide.

Christian IV spoke Danish, German, Latin, French and Italian. Naturally cheerful and hospitable, he delighted in lively society; but he was also passionate, irritable and sensual. He had courage, a vivid sense of duty, an indefatigable love of work, and all the inquisitive zeal and inventive energy of a born reformer. His own pleasure, whether it took the form of love or ambition, was always his first consideration. His capacity for drink was proverbial: when he visited England in 1606, even the notoriously hard-drinking English Court were astonished by his alcohol consumption.

The last years of Christian’s life were embittered by sordid differences with his sons-in-law, especially with Corfitz Ulfeldt.

His personal obsession with witchcraft led to the public execution of some of his subjects during the Burning Times. He was responsible for several witch burnings, most notably the conviction and execution of Maren Spliid, who was victim of a witch hunt at Ribe and was burned at the Gallows Hill near Ribe on 9 November 1641.

On February 21, 1648, at his earnest request, he was carried in a litter from Frederiksborg to his beloved Copenhagen, where he died a week later. He was buried in Roskilde Cathedral. The chapel of Christian IV had been completed 6 years before the King died.