Titles of the Royals of Europe: What Language to use? Part III.

Tags

duc de Bourgogne, Duke of Burgundy, fille de France, Fils de France, Infanta of Spain, Infante of Spain, Philippe I Duc d'Orléans, Prince Du Sang

This section on I will show how I render foreign titles. It’s really pretty simple. Except for rare occasions I always render foreign titles in English.

The rare example of when I use the native language to render titles are with the French Monarchy (also Spain and Portugal but more on that in a moment).

First of all in French the title of King is translated as Roi and I never use it. What I do use is the title of Duke which translates to Duc in French.

The title Duc also is accompanied with the article de which in English is the word the. Here is an example…duc de Bourgogne. Bourgogne is translated as Burgundy in English but I always us the English translation for the name of the region.

Philippe I, Duc d’Orléans

A notable Duke of Burgundy is Philip the Bold. In French it’s Philippe II le Hardi duc de Bourgogne. I generally end up with a mish-mash of French and English and will call him Philippe II The Bold, Duc de Burgundy…or Philippe II The Bold, Duke of Burgundy.

An interesting usage is with the Dukedom of Orléans. In French the article de drops the e and uses a d along with an apostrophe when the Dukedom begins with a vowel.

An example is Philip the brother of King Louis XIV. In French it is written as Philippe I, Duc d’Orléans. However, I will also refer to him as Philippe I, Duke of Orléans. I’m wildly inconsistent with this.

French Royals also had the style and rank Fils de France which translates to Son of France for boys and was held by the sons of the kings and dauphins of France. A daughter was known as a fille de France, in English, Daughter of France. In these instances I always use the French translation.

The dauphin, the heir to the French throne, was the most senior of the fils de France and was usually addressed as Monsieur le dauphin. The king’s next younger brother, also a fils de France, was known simply as Monsieur, and his wife as Madame. In these instances I also stick with the French translation.

Another saying for French Royals was Prince/Princess of the Blood. In French this is translated as Prince/Princess du sang is a person legitimately descended in male line from a sovereign. The female equivalent was applied to the daughter of a prince of the blood prince du sang.

As I mentioned Spain and Portugal are similar. They have a concept of Son or Daughter of Spain/Portugal and in their native language it translates to Infante for males and Infanta for women.

Technically speaking, the title Prince and Princess of Spain and Portugal do not exist. In its place Infante and Infanta are used.

Princess Elisabeth de Bourbon of France, Queen of Spain

However, Infante and Infanta are often anglicised and translated as Prince/Princess and they are considered as having the title and rank of a Prince/Princess even if they do not officially use that title. The only Spanish royal using the title of Prince/Princess is the heir apparent or heir presumptive to the throne who usually bears the title Prince/Princess of Austria.

In my work I stick with the Spanish titles of Infante and Infanta of Spain.

Another honorific in Spain is Don and in Portugal it’s Dom.

The female equivalent is Doña and Dona in Portuguese.

In Spanish, although originally a title reserved for royalty, select nobles, and church hierarchs, it is now often used as a mark of esteem for a person of personal, social or official distinction, such as a community leader of long standing, a person of significant wealth, or a noble, but may also be used ironically. As a style, rather than a title or rank, it is used with, rather than in place of, a person’s name.

I tend to completely ignore the usage of Don and Dom and Doña and Dona. As I mentioned I’m very inconsistent!

That is it for now and will continue next with the usage of German titles.

March 23, 1732: Birth of Marie Adélaïde de Bourbon of France. Part I.

Tags

Augustus III of Poland, fille de France, King Charles X of France, King Louis XIV of France and Navarre, King Louis XV of France, King Louis XVI of France, King Louis XVIII of France, Louis the Dauphin, Marie Adélaïde de Bourbon of France, Palace of Versailles

Marie Adélaïde de Bourbon of France, (March 23, 1732 – February 27, 1800) was a French princess, the fourth daughter and sixth child of King Louis XV of France and his consort, Marie Leszczyńska.

As the legitimate daughter of the king, she was a fille de France (Daughter of France) and was referred to as Madame Quatrième (“Madame the Fourth”), until the death of her older sister Marie Louise in 1733, as Madame Troisième, (“Madame the Third”); as Madame Adélaïde from 1737 to 1755; as Madame from 1755 to 1759; and then as Madame Adélaïde again from 1759 until her death.

She was named after her paternal grandmother, Marie Adelaide, Dauphine of France, (born Marie Adélaïde of Savoy (1685 – 1712) the eldest daughter of Duke Victor Amadeus II of Savoy (later King of Sardinia) and Anne Marie d’Orléans, herself the daughter of the daughter of Philippe I, Duke of Orléans, younger brother of Louis XIV, and Henrietta of England, the youngest daughter of Charles I of England). Marie Adélaïde of Savoy was the wife of Louis, Dauphin of France and Duke of Burgundy.

Marie Adélaïde de France was raised at the Palace of Versailles, where she was born, with her older sisters, Madame Louise Elisabeth, Madame Henriette and Madame Marie Louise, along with her brother Louis. Her brother Louis, as heir apparent, he became Dauphin of France but died before ascending to the throne. Three of his sons became kings of France: Louis XVI (reign: 1774–1792), Louis XVIII (reign: 1814–1815; 1815–1824) and Charles X (reign: 1824–1830).

Marie Adélaïde de Bourbon of France’s younger sisters were raised at the Abbaye de Fontevraud from 1738 onward, because the cost of raising them in Versailles with all the status to which they were entitled was deemed too expensive by Cardinal Fleury, Louis XV’s chief minister. Adélaïde was originally expected to join her younger sisters to Fontevraud, but she was allowed to stay with her brother and her three elder siblings in Versailles after a personal plea to her father.

One of the reasons as to why the expense of her younger sisters at Versailles were regarded as too high, was that the royal children were allowed to participate in court life at a very young age, and attend as well as arrange their own festivities already as children. Adelaide and her sister Henriette, who never went to Fontevrault, accompanied their father to the Opera in Paris at least since 1744, and hunted with him five days a week from the beginning of 1746.

Madame Adélaïde was described as an intelligent beauty; her appearance an ephemeral, “striking and disturbing beauty of the Bourbon type characterized by elegance”, with “large dark eyes at once passionate and soft”, and her personality as extremely haughty, with a dominant and ambitious character with a strong will. However, she was described as altogether deficient in that kindness which alone creates affection for the great, abrupt manners, a harsh voice, and a short way of speaking, rendering her more than imposing. She carried the idea of the prerogative of rank to a high pitch.”

Adélaïde never married. In the late 1740s, when she had reached the age when princesses were normally married, there were no potential Catholic consorts of desired status available, and she preferred to remain unmarried rather to marry someone below the status of a monarch or an heir to a throne.

Marriage prospects suggested to her were liaisons with Louis François II, Prince of Conti and Prince Franz Xavier of Saxony (the fourth but second surviving son of Augustus III, King of Poland and Elector of Saxony, and Maria Josepha of Austria). Franz Xavier’s older brother, Friedrich Christian, was successor to his father as Elector of Saxony, while Stanisław Poniatowski (1676–1762) was elected King of Poland. This meant that neither candidate for the hand of Madame Adélaïde had the status of being a monarch or an heir to a throne, and were therefore of not an equal status to marry a Daughter of France.

In her teens, Adelaide fell in love with a member of the Lifeguard after having observed him perform his duties; she sent him her snuffbox with the message, “You will treasure this, soon you shall be informed from whose hand it comes.” The guardsman informed his captain Duc d’Ayen, who in turn informed the king, who recognized the handwriting as his daughter’s, and granted the guard an annual pension of four thousand under the express condition that he should “at once remove to some place far from the Court and remain there for a very long time”.

In 1761, long after she passed the age when 18th-century princesses normally wed, she was reportedly suggested to marry the newly widowed Carlos III of Spain; but after she had seen his portrait, she refused, a rejection which was said to be the main reason to why Carlos III never remarried.

Between the death of Madame de Pompadour, mistress of Louis XV, in 1764 and before the rise of Madame Dubarry in 1768, Louis XV did have a certain confidence in Madame Adélaïde, and was supported by her “firm and rapid resolutions.” However, after the death of her mother, the Queen in 1768, circles at court imagined that as soon as the King recovered from his grief, the choice would be between either providing him with a new Queen, or a new official royal mistress.

Madame Adélaïde, who detested the idea of a new royal mistress, encouraged the solution of her father marrying again to prevent it. She reportedly preferred a Queen who was young, beautiful and lacked ambition, as she could distract her father from state affairs, leaving them to Madame Adélaïde who had political ambitions. Madame Adélaïde supported the Dowager Princess de Lamballe as a suitable candidate for that purpose, and was supported in this plan by the powerful Noailles family. However, the Princesse de Lamballe was not willing to encourage the match herself, her former father-in-law, the Duke of Penthievré, was not willing to consent, and the marriage plan never materialized.

The King was then suggested to marry Archduchess Maria Elisabeth of Austria. The archduchess was a famed beauty, but when she suffered from smallpox which badly scarred her face, marriage negotiations were discontinued. Maria Elisabeth of Austria (1743 – 1808) was the sixth child and the third surviving daughter of Maria Theresa I, Holy Roman Empress and Holy Roman Emperor Franz of Lorraine. Maria Elisabeth of Austria was the elder sister of Archduchess Marie Antoinette the future wife of Madame Adélaïde’s nephew Louis XVI of France. Instead, Louis XV introduced his last official maîtresse-en-titre, Madame du Barry, to court in 1769, whom Madame Adélaïde came to despise.

In the last years of their father’s reign, Madame Adélaïde and her sisters were described as bitter old hags, who spent their days gossiping and knitting in their rooms. Madame Adélaïde and her sisters attended to their father Louis XV on his deathbed until his death from smallpox on May 10. After the death of her father he was succeeded by his grandson Louis Auguste as Louis XVI, who referred to his aunts as Mesdames Tantes.

Madame Adélaïde came to play a political role after the succession of her nephew. Her sisters had in fact been infected by their father and fell ill with smallpox (from which they recovered), and were kept in quarantine on a little house near the Palace of Choisy. Despite this, however, Madame Adelaide had the time to intervene in the establishment of the new government: Louis XVI had been advised by his father to ask the advice of Adelaide should he become King, and after his succession, he sent her a letter and asked her advice on whom he should entrust his kingdom.