1625 – King Charles I of England marries Catholic princess Henrietta Maria of France and Navarre, at Canterbury.

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Canterbury, Charles I of England, Felipe III of Spain, Felipe IV of Spain, Henri IV of France and Navarre, Henrietta Maria de Bourbon of France, Infanta Maria Anna of Spain, Proxy Marriage

Charles I (November 19, 1600 – January 30, 1649) was King of England, Scotland, and Ireland from March 27, 1625 until his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland and Anne of Denmark, but after his father inherited the English throne in 1603 (as James I), he moved to England, where he spent much of the rest of his life.

Charles became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales.

Charles and Buckingham, James’s favourite and a man who had great influence over the prince, travelled incognito to Spain in February 1623 to try to reach agreement on the long-pending Spanish match with Infanta Maria Anna of Spain the daughter of King Felipe III of Spain and Margaret of Austria, the daughter of Archduke Charles II of Austria and Maria Anna of Bavaria and thus the paternal granddaughter of the Holy Roman Emperor Ferdinand I. Her elder brother was the Archduke Ferdinand, who succeeded as Emperor Ferdinand II in 1619.

The trip to Spain was an embarrassing failure. The Infanta Maria Anna thought Charles little more than an infidel. The proposal fell through when Felipe IV of Spain demanded Charles convert to the Catholic Church and live in Spain for a year as pre-conditions for the marriage. As Felipe IV was aware, such terms were unacceptable, and when Charles returned to England in October, he and Buckingham demanded King James declare war on Spain.

The Spanish court also insisted on the repeal of the penal laws, which Charles knew Parliament would not agree to. A personal quarrel erupted between Buckingham and the Count of Olivares, the Spanish chief minister, and so Charles conducted the ultimately futile negotiations personally.

With the failure of the Spanish match, Charles and Buckingham turned their attention to France in searching elsewhere for a bride. Charles sent his close friend Henry Rich, 1st Earl of Holland, to Paris in 1624. A Francophile and godson of Henri IV of France, Holland strongly favoured a marriage with Henrietta Maria, the terms of which were negotiated by James Hay, 1st Earl of Carlisle.

Henrietta Maria de Bourbon was the youngest daughter of Henri IV of France (Henri III of Navarre) and his second wife, Marie de’ Medici, and was named after her parents.

Henrietta Maria was born at the Palais du Louvre on 25 November 25, 1609, and was brought up as a Roman Catholic.

As a daughter of the Bourbon king of France, she was a Fille de France and a member of the House of Bourbon. She was the youngest sister of the future Louis XIII of France. Her father was assassinated on May 14, 1610, when she was less than a year old. As a child, she was raised under the supervision of the royal governess Françoise de Montglat.

Henrietta Maria first met her future husband in 1623 at a court entertainment in Paris, when he was on his way to Spain with the Duke of Buckingham to discuss a possible marriage with Infanta Maria Anna of Spain.

Henrietta Maria was aged fifteen at the time of her marriage, which was not unusual for royal princesses of the period. Opinions on her appearance vary; her niece Sophia of Hanover commented that the “beautiful portraits of Van Dyck had given me such a fine idea of all the ladies of England that I was surprised to see that the queen, who I had seen as so beautiful and lean, was a woman well past her prime. Her arms were long and lean, her shoulders uneven, and some of her teeth were coming out of her mouth like tusks…. She did, however, have pretty eyes, nose, and a good complexion…”

A proxy marriage was held at Notre-Dame de Paris on 1 May 1625, where Duke Claude of Chevreuse stood as proxy for Charles, shortly after Charles succeeded as king, with the couple spending their first night together at St Augustine’s Abbey near Canterbury on June 13, 1625.

Charles delayed the opening of his first Parliament until after the marriage was consummated, to forestall any opposition.

Many members of the Commons opposed his marriage to a Roman Catholic, fearing that he would lift restrictions on Catholic recusants and undermine the official establishment of the reformed Church of England. Charles told Parliament that he would not relax religious restrictions, but promised to do exactly that in a secret marriage treaty with his brother-in-law Louis XIII of France.

Moreover, the treaty loaned to the French seven English naval ships that were used to suppress the Protestant Huguenots at La Rochelle in September 1625. Charles was crowned on February 2, 1626 at Westminster Abbey, but without his wife at his side.

Henrietta Maria’s Roman Catholicism made her unpopular in England, and also prohibited her from being crowned in a Church of England service; because she refused to participate in a Protestant religious ceremony, therefore, she never had a coronation.

June 6, 1654: Abdication of Queen Christina of Sweden. Part II

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Abdication, Felipe IV of Spain, King Carl X Gustaf of Sweden, Pierre Bourdelot, Queen Christina of Sweden, Riksdag

In 1651, after reigning almost twenty years, working at least ten hours a day, Christina had what some have interpreted as a nervous breakdown. For an hour she seemded to be dead. She suffered from high blood pressure, complained about bad eyesight and a crooked back.

She had seen already many court physicians. In February 1652, the French doctor Pierre Bourdelot arrived in Stockholm. Unlike most doctors of that time, he held no faith in blood-letting; instead, he ordered sufficient sleep, warm baths, and healthy meals, as opposed to Christina’s hitherto ascetic way of life.

She was only twenty-five and advising that she should take more pleasure in life, Bourdelot asked her to stop studying and working so hard and to remove the books from her apartments. For years, Christina knew by heart all the sonnets from the Ars Amatoria and was keen on the works by Martial and Petronius.

The physician showed her the 16 erotic sonnets of Pietro Aretino, which he kept secretly in his luggage. By subtle means Bourdelot undermined her principles. Having been stoic, she now became an Epicurean. Her mother and de la Gardie were very much against the activities of Bourdelot and tried to convince her to change her attitude towards him; Bourdelot returned to France in 1653 “laden in riches and curses”.

The Queen had long conversations about Copernicus, Tycho Brahe, Francis Bacon, and Kepler with Antonio Macedo, secretary, and interpreter for Portugal’s ambassador. Macedo was a Jesuit, and in August 1651, smuggled on his person a letter from Christina to his general in Rome. In reply, Paolo Casati and Francesco Malines came to Sweden in the spring of 1652, trained in both natural sciences and theology. She had more conversations with them, being interested in Catholic views on sin, the immortality of the soul, rationality, and free will.

The two scholars revealed her plans to Cardinal Fabio Chigi. Around May 1652 Christina raised in the Lutheran Church of Sweden, decided to become Catholic. She sent Matthias Palbitzki to Madrid and King Felipe IV of Spain sent the diplomat Antonio Pimentel de Prado to Stockholm in August.

Abdication

When Christina decided she wanted her first cousin Carl Gustaf to be heir to the throne, she agreed to stay on the condition the councils never again asked her to marry. In 1651, Christina lost much of her popularity after the beheading of Arnold Johan Messenius, together with his 17-year-old son, who had accused her of serious misbehavior and of being a “Jezebel”. According to them “Christina was bringing everything to ruin, and that she cared for nothing but sport and pleasure.”

In 1653, she founded the Amaranten order. Antonio Pimentel was appointed as its first knight; all members had to promise not to marry (again). In the same year, she ordered Vossius (and Heinsius) to make a list of about 6,000 books and manuscripts to be packed and shipped to Antwerp.

In February 1654, she plainly told the Council of her plans to abdicate. Oxenstierna told her she would regret her decision within a few months. In May, the Riksdag discussed her proposals. She had asked for 200,000 rikstalers a year, but received dominions instead. Financially she was secured through a pension and revenue from the town of Norrköping, the isles of Gotland, Öland Ösel and Poel, Wolgast, and Neukloster in Mecklenburg and estates in Pomerania.

Her plan to convert was not the only reason for her abdication, as there was increasing discontent with her arbitrary and wasteful ways. Within ten years, she and Oxenstierna had created 17 counts, 46 barons and 428 lesser nobles.

To provide these new peers with adequate appanages, they had sold or mortgaged crown property representing an annual income of 1,200,000 rikstalers. During the ten years of her reign, the number of noble families increased from 300 to about 600, rewarding people such as Lennart Torstenson, Louis De Geer and Johan Palmstruch for their efforts. These donations took place with such haste that they were not always registered, and on some occasions, the same piece of land was given away twice.

Christina abdicated her throne on June 6, 1654 in favor of her cousin Carl Gustaf. During the abdication ceremony at Uppsala Castle, Christina wore her regalia, which were ceremonially removed from her, one by one.

Per Brahe, who was supposed to remove the crown, did not move, so she had to take the crown off herself. Dressed in a simple white taffeta dress, she gave her farewell speech with a faltering voice, thanked everyone, and left the throne to Carl X Gustav, who was dressed in black.

Per Brahe felt that she “stood there as pretty as an angel.” Carl X Gustaf was crowned later on that day. Christina left the country within a few days.

April 29, 1629: Louis XIII of France Appoints Cardinal Richelieu as Chief Minister of France

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Armand Jean du Plessis, Cardinal Richelieu, Chief Minister of France, Felipe IV of Spain, Gaston d'Orléans, House of Bourbon, King Louis XIII of France and Navarre, Marie de' Medici

Armand Jean du Plessis, Duke of Richelieu (September 9, 1585 – December 4, 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as l’Éminence rouge, or “the Red Eminence”, a term derived from the title “Eminence” applied to cardinals, and the red robes they customarily wore.

In 1606 Henri IV nominated Richelieu to become Bishop of Luçon. As Richelieu had not yet reached the canonical minimum age, it was necessary that he journey to Rome for a special dispensation from Pope Paul V. This secured, Richelieu was consecrated bishop in April 1607. Soon after he returned to his diocese in 1608, Richelieu was heralded as a reformer. He became the first bishop in France to implement the institutional reforms prescribed by the Council of Trent between 1545 and 1563.

Richelieu advanced politically by faithfully serving the Queen-Mother’s favourite, Concino Concini, the most powerful minister in the kingdom. In 1616, Richelieu was made Secretary of State, and was given responsibility for foreign affairs. Like Concini, the Bishop was one of the closest advisors of Louis XIII’s mother, Marie de Médicis.

Cardinal Richelieu

The Queen had become Regent of France when the nine-year-old Louis ascended the throne; although her son reached the legal age of majority in 1614, she remained the effective ruler of the realm. However, her policies, and those of Concini, proved unpopular with many in France. As a result, both Marie and Concini became the targets of intrigues at court; their most powerful enemy was Charles de Luynes.

In April 1617, in a plot arranged by Luynes, Louis XIII ordered that Concini be arrested, and killed should he resist; Concini was consequently assassinated, and Marie de Médicis overthrown. His patron having died, Richelieu also lost power; he was dismissed as Secretary of State, and was removed from the court. In 1618, the King, still suspicious of the Bishop of Luçon, banished him to Avignon. There, Richelieu spent most of his time writing; he composed a catechism entitled L’Instruction du chrétien.

In 1619, Marie de Médicis escaped from her confinement in the Château de Blois, becoming the titular leader of an aristocratic rebellion. The King and the duc de Luynes recalled Richelieu, believing that he would be able to reason with the Queen.

Richelieu was successful in this endeavour, mediating between her and her son. Complex negotiations bore fruit when the Treaty of Angoulême was ratified; Marie de Médicis was given complete freedom, but would remain at peace with the King. The Queen-Mother was also restored to the royal council.

Richelieu continued to rise in both the Catholic Church and French government, becoming a cardinal in 1622, and Chief minister to Louis XIII of France on April 29, 1624. He retained this office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered.

Cardinal Richelieu played a major role in Louis XIII’s reign from 1624, determining France’s direction over the course of the next eighteen years. As a result of Richelieu’s work, Louis XIII became one of the first examples of an absolute monarch.

Under Louis XIII and Richelieu, the crown successfully intervened in the Thirty Years’ War against the Habsburgs, managed to keep the French nobility in line, and retracted the political and military privileges granted to the Huguenots by Henri IV (while maintaining their religious freedoms). Louis XIII successfully led the important Siege of La Rochelle. In addition, Louis had the port of Le Havre modernised, and he built a powerful navy.

Richelieu sought to consolidate royal power and by restraining the power of the nobility, he transformed France into a strong, centralized state. In foreign policy, his primary objective was to check the power of the Habsburg dynasty in Spain and Austria, and ensure French dominance in the Thirty Years’ War that engulfed Europe.

On November 26, 1629, he was created duc de Richelieu and a Peer of France. In the next year, Richelieu’s position was seriously threatened by his former patron, Marie de Médicis. Marie believed that the Cardinal had robbed her of her political influence; thus, she demanded that her son dismiss the chief minister.

Louis XIII was not, at first, averse to such a course of action, as he personally disliked Richelieu. Despite this, the persuasive statesman was able to secure the king as an ally against his own mother. On November 11, 1630, Marie de Médicis and the King’s brother, Gaston, duc d’Orléans, secured the King’s agreement for the dismissal.

Richelieu, however, was aware of the plan, and quickly convinced the King to repent. This day, known as the Day of the Dupes, was the only one on which Louis XIII took a step toward dismissing his minister. Thereafter, the King was unwavering in his political support for him.

Meanwhile, Marie de Médicis was exiled to Compiègne. Both Marie and the duc d’Orléans continued to conspire against Richelieu, but their schemes came to nothing. The nobility also remained powerless.

The only important rising was that of Henri, duc de Montmorency in 1632; Richelieu, ruthless in suppressing opposition, ordered the duke’s execution. In 1634, the Cardinal had one of his outspoken critics, Urbain Grandier, burned at the stake in the Loudun affair. These and other harsh measures were orchestrated by Richelieu to intimidate his enemies.

Despite suppressing French Protestants, he made alliances with Protestant states like the Kingdom of England and the Dutch Republic to achieve his goals. Though he was a powerful political figure, events such as the Day of the Dupes, or Journée des Dupes, show this power was still dependent on the king’s confidence.

An alumnus of the University of Paris and headmaster of the College of Sorbonne, he renovated and extended the institution. He was famous for his patronage of the arts, and founded the Académie Française, the learned society responsible for matters pertaining to the French language.

King Louis XIII of France and Navarre

As an advocate for Samuel de Champlain and New France, he founded the Compagnie des Cent-Associés; he also negotiated the 1632 Treaty of Saint-Germain-en-Laye, under which Quebec City returned to French rule after its loss in 1629.

He is also known for being the inventor of the table knife. He was bothered by the bad mannerisms that sharp knives brought to the dining table, so in 1637 he ordered that all of the knives on his dining table have their blades dulled and their tips rounded. The design quickly spread and was popularized all around France and other countries.

Towards the end of his life, Richelieu alienated many people, including Pope Urban VIII. Richelieu was displeased by the Pope’s refusal to name him the papal legate in France; in turn, the Pope did not approve of the administration of the French church, or of French foreign policy. However, the conflict was largely resolved when the Pope granted a cardinalate to Jules Mazarin, one of Richelieu’s foremost political allies, in 1641. Despite troubled relations with the Roman Catholic Church, Richelieu did not support the complete repudiation of papal authority in France, as was advocated by the Gallicanists.

As he neared death, Richelieu faced a plot that threatened to remove him from power. The cardinal had introduced a young man named Henri Coiffier de Ruzé, marquis de Cinq-Mars to Louis XIII’s court. The Cardinal had been a friend of Cinq-Mars’s father. More importantly, Richelieu hoped that Cinq-Mars would become Louis’s favourite, so that he could indirectly exercise greater influence over the monarch’s decisions. Cinq-Mars had become the royal favourite by 1639, but, contrary to Cardinal Richelieu’s belief, he was not easy to control.

The young marquis realized that Richelieu would not permit him to gain political power. In 1641, he participated in the comte de Soissons’s failed conspiracy against Richelieu, but was not discovered. Then, the following year, he schemed with leading nobles (including the King’s brother, the duc d’Orléans) to raise a rebellion; he also signed a secret agreement with the King Felipe IV of Spain, who promised to aid the rebels. Richelieu’s spy service, however, discovered the plot, and the Cardinal received a copy of the treaty. Cinq-Mars was promptly arrested and executed; although Louis approved the use of capital punishment, he grew more distant from Richelieu as a result.

Painting by Philippe de Champaigne showing Cardinal Richelieu on his deathbed
However, Richelieu was now dying. For many years he had suffered from recurrent fevers (possibly malaria), strangury, intestinal tuberculosis with fistula, and migraine. Now his right arm was suppurating with tubercular osteitis, and he coughed blood (after his death, his lungs were found to have extensive cavities and caseous necrosis). His doctors continued to bleed him frequently, further weakening him. As he felt his death approaching, he named Mazarin, one of his most faithful followers, to succeed him as chief minister to the King.

Richelieu died on December 4, 1642, aged 57. His body was embalmed and interred at the church of the Sorbonne. During the French Revolution, the corpse was removed from its tomb, and the mummified front of his head, having been removed and replaced during the original embalming process, was stolen. It ended up in the possession of Nicholas Armez of Brittany by 1796, and he occasionally exhibited the well-preserved face.

His nephew, Louis-Philippe Armez, inherited it and also occasionally exhibited it and lent it out for study. In 1866, Napoleon III persuaded Armez to return the face to the government for re-interment with the rest of Richelieu’s body. An investigation of subsidence of the church floor enabled the head to be photographed in 1895.

Richelieu has frequently been depicted in popular fiction, principally as the lead villain in Alexandre Dumas’s 1844 novel The Three Musketeers and its numerous film adaptations.

September 17, 1665: Death of Felipe IV, King of Spain and Portugal.

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Felipe IV of Spain, House of Bourbon, House of Habsburg, Infanta Maria Anna of Spain, King Carlos II of Spain, Kingdom of Portugal, Kingdom of Spain, Philip III of Spain, Philip IV of Spain, Princess Elisabeth of France

From the Emperor’s Desk. Instead of focusing on the political aspects of his reign I will focus on his personal life.

Felipe IV (April 8, 1605 – September 17, 1665) was King of Spain and (as Felipe III) King of Portugal. He ascended the thrones in 1621 and reigned in Portugal until 1640. Felipe IV is remembered for his patronage of the arts, including such artists as Diego Velázquez, and his rule over Spain during the Thirty Years’ War.

Felipe IV was born in Royal Palace of Valladolid, and was the eldest son of Felipe III of Spain and Portugal and his wife, Archduchess Margaret of Austria, the daughter of Archduke Charles II of Austria and Maria Anna of Bavaria and thus the paternal granddaughter of the Holy Roman Emperor Ferdinand I.

In 1615, at the age of 10, Felipe was married to 13-year-old Elisabeth of France, she was the eldest daughter of King Henri IV of France and Navarre and his second spouse Marie de’ Medici.

Although the relationship between Felipe and Elisabeth does not appear to have been close; some have even suggested that Olivares, his key minister, later deliberately tried to keep the two apart to maintain his influence, encouraging Felipe to take mistresses instead.

Felipe had seven children by Elisabeth, with only one being a son, Balthasar Carlos, who died at the age of sixteen in 1646. The death of his son deeply shocked the king, who appears to have been a good father by the standards of the day. Elisabeth was able to conspire with other Spanish nobles to remove Olivares from the court in 1643, and for a brief period she held considerable influence over Felipe; by the time of her death, however, she was out of favour, following manoeuvering by Olivares’ successor, Luis de Haro.

Felipe IV remarried in 1649, following the deaths of both Elisabeth and his only legitimate heir. His choice of his second wife, his niece, Infanta Maria Anna, second child of Maria Anna of Spain and her husband Ferdinand (1608-1657), who became Holy Roman Emperor in 1637.

Infanta Maria Anna was guided by politics and Felipe’s desire to strengthen the relationship with Habsburg Austria. They were married on October 7, 1649. Maria Anna bore him five children, but only two survived to adulthood, a daughter Margarita Teresa, born in 1651, and the future Carlos II of Spain in 1661 – but the latter was sickly and considered in frequent danger of dying, making the line of inheritance potentially uncertain.

Perceptions of Felipe IV’s personality have altered considerably over time. Victorian authors were inclined to portray him as a weak individual, delegating excessively to his ministers, and ruling over a debauched Baroque court. Victorian historians even attributed the early death of Baltasar Carlos to debauchery, encouraged by the gentlemen entrusted by the king with his education.

The doctors who treated the Prince at that time in fact diagnosed smallpox, although modern scholars attribute his death to appendicitis.

Historians’ estimation of Felipe IV gradually improved in the 20th century, with comparisons between Felipe IV and his father, Filipe III, being increasingly positive – some noting that he possessed much more energy, both mental and physical, than his diffident father.

Felipe IV was idealised by his contemporaries as the model of Baroque kingship. Outwardly he maintained a bearing of rigid solemnity; foreign visitors described him as being so impassive in public he resembled a statue, and he was said to have been seen to laugh only three times in the course of his entire public life.

Felipe IV certainly had a strong sense of his ‘royal dignity’, but was also extensively coached by Olivares in how to resemble the Baroque model of a sovereign, which would form a key political tool for Felipe throughout his reign.

Felipe IV was a fine horseman, a keen hunter and a devotee of bull-fighting, all central parts of royal public life at court during the period.

Privately, Felipe appears to have had a lighter persona. When he was younger, he was said to have a keen sense of humour and a ‘great sense of fun’. He privately attended ‘academies’ in Madrid throughout his reign – these were lighthearted literary salons, aiming to analyse contemporary literature and poetry with a humorous touch.

A keen theatre-goer, he was sometimes criticised by contemporaries for his love of these ‘frivolous’ entertainments. Others have captured his private personality as ‘naturally kind, gentle and affable’.

The Catholic religion and its rituals played an important part in Felipe’s life, especially towards the end of his reign. Depressed by events across his domains, he became increasingly concerned with religious affairs. In particular, Felipe paid special devotions to a painting of the Nuestra Señora del Milagro, the Virgin of Miracles; the painting was said to miraculously raise and lower its eyes in response to prayer.

During the emergency of 1640–1643, Felipe appears to have had a crisis of faith. Felipe IV genuinely believed the success or failure of his policies represented God’s favour or judgement on his actions. The combination of the revolts, the French advances and the loss of his trusted favourite Olivares appears to have deeply shaken him.

Felipe IV, as a lover of the theatre, has been remembered both for the ‘astonishing enthusiasm’ with which he collected art. On the stage, he favoured Lope de Vega, Pedro Calderón de la Barca, and other distinguished dramatists.

Felipe IV has been credited with a share in the composition of several comedies. Court theatre used perspective scenery, a new invention from Italy not used in commercial theatre at the time.

Legacy

Felipe IV’s reign, after a few years of inconclusive successes, was characterized by political and military decay and adversity. He has been held responsible for the decline of Spain, which was mainly due to organic causes largely beyond the control of any one ruler.

Felipe IV died broken-hearted in 1665, expressing the pious hope that his surviving son, Carlos II, who was only 4 years old at the time, would be more fortunate than himself. On his death, a catafalque was built in Rome to commemorate his life.

In his will, Felipe IV left political power as regent on behalf of the young Carlos II to his wife Maria Anna, with instructions that she heed the advice of a small junta committee established for this purpose. This committee excluded Juan, Felipe IV’s illegitimate son, resulting in a chaotic powerplay between Maria Anna and Juan until the latter’sdeath in 1679.

May 16, 1696: Death of Maria-Anna of of Austria. Queen Consort of Spain and Portugal, Regent of Spain. Part II.

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Carlos II of Spain, Felipe IV of Spain, Juan of Austria the Younger, Maria-Anna of Austria, Maria-Anna of Neuburg, Marie-Louise d'Orléans, Queen of Spain, Regent

By the time of the death of King Felipe IV on September 17, 1665, the Spanish Empire had reached approximately 12.2 million square kilometers (4.7 million square miles) in area but in other respects was in decline, a process to which Felipe IV contributed with his inability to achieve successful domestic and military reform.

The Portuguese Crown was lost in 1640 with the Accession of the Duke of Braganza as King João IV of Portugal (1604-1656) and marked the end of the 60-year-old Iberian Union, by which Portugal and Spain shared the same monarch.

Felipe IV, King of Spain

Regency

When King Felipe IV died on September 17, 1665, the new King Carlos II of Spain was only three; Maria-Anna was appointed regent, advised by a Regency Council, until he became a legal adult at the age of 14. She adopted the system of using a valido or ‘favourite’ established by Felipe IV in 1620 and widely used elsewhere in Europe. The first was Juan Everardo Nithard, an Austrian Jesuit and her personal confessor who came with her from Vienna; as Felipe IV’s will excluded foreigners from the Regency Council, he had to be naturalised, causing immediate resentment.

A ‘foreigner’ herself, the two men habitually identified as her ‘favourites’ were also outsiders; Nithard and Fernando de Valenzuela, 1st Marquis of Villasierra Valenzuela, who came from the lower rank of Spanish nobility. Even modern English-language sources are often based on contemporary sources that viewed women as incapable of ruling on their own and thus imply a sexual relationship.

In reality, Maria-Anna used a variety of advisors, including Castilian nobles such as Count Peñaranda and the Marquis de Aytona. Historian Silvia Mitchell disputes whether either Nithard or Valenzuela can truly be considered a ‘valido’, since Mariana retained power, rather than delegating it to them.

Carlos II, King of Spain

Due to Queen Maria-Anna’s son, King Carlos II, being in such poor health and lack of an heir led to a constant struggle between Maria-Anna’s ‘Austrian’ faction, and a ‘French’ faction, nominally led by his illegitimate half-brother, Juan of Austria the Younger. Spain was also divided into the Crowns of Castile and Aragon, whose very different political cultures made it almost impossible to enact reforms or increase taxes. Government finances were in perpetual crisis, the Crown declaring bankruptcy in 1647, 1652, 1661 and 1666.

The external situation facing Maria-Anna would have challenged even the most competent ruler; Spain was financially exhausted by almost a century of continuous war. Her reign also coincided with the Little Ice Age, a period of cold and wet weather that affected the whole of Europe in the second half of the 17th century. Between 1692 to 1699, an estimated 5-10% of the European population starved to death.

Juan of Austria the Younger

In 1672, Spain was dragged into the Franco-Dutch War; Valenzuela, advisor to the Regent, was dismissed when Carlos came of age in 1675, but Spanish policy continued to be undermined by the struggle for power. Queen María-Anna reinstated the regency in 1677 on the grounds of Carlos’ ill-health and Valenzuela was restored, before Juan of Austria the Younger finally gained control in 1678. His control of the government was short lived for he died in September 1679 and Maria-Anna became regent once again. One Juan of Austria’s final acts was arranging the marriage of Carlos II to 17-year-old Marie-Louise of Orléans.

Enamel miniature of Marie-Louise of Orléans by Jean Petitot, circa 1678

Marie-Louise d’Orléans was born at the Palais Royal in Paris. She was the eldest daughter of Philippe of France, Duke of Orléans and of his first wife, Princess Henrietta of England. As a petite-fille de France she was entitled to the attribute of Royal Highness, although, as was customary at court at the palace of Versailles, her style, Mademoiselle d’Orléans, was more often used.

Charming, pretty and graceful, Marie-Louise, who was her father’s favourite child, had a happy childhood, residing most of the time in the Palais Royal, and at the château de Saint-Cloud situated a few kilometres west of Paris.

On November 19, 1679, Marie-Louise married King Carlos II in person in Quintanapalla, near Burgos, Spain. This was the start of a lonely existence at the Spanish court. Her new husband had fallen in love with her and remained so until the end of his life. However, the confining etiquette of the Spanish Court (e.g., touching the Queen was forbidden), the King’s mental and physical infirmities and her unsuccessful attempts to bear a child caused her distress.

After 10 years of marriage with no children, Marie-Louise died in February 1689. As with many deaths of the period, limited medical knowledge led to allegations she was poisoned. Modern assessments of her symptoms conclude it was almost certainly an appendicitis, possibly from the treatments undertaken to improve fertility.

Her replacement was Maria-Anna of Neuburg, (1667-1740) the twelfth child of Philipp-Wilhelm, then Duke of Berg and Jülich and Elisabeth-Amalie of Hesse-Darmstadt. The family had a reputation for fertility and it made them popular choices for royal marriages. Of her sisters, Maria-Sophia married King Pedro II of Portugal, while Eleonore was the third wife of Holy Roman Emperor Leopold I. Queen Maria-Anna (of Newburgh) was aunt to future emperors Joseph I and Charles VI, making her an ideal choice for the Austrian faction.

Maria-Anna of Neuburg

King Carlos II remained childless; by that time, he was almost certainly impotent, his autopsy later revealing he had only one atrophied testicle. As his health declined, internal struggles over the succession became increasingly bitter, leadership of the pro-French faction passing to Fernández de Portocarrero, Cardinal and Archbishop of Toledo.

Under the influence of the ‘Austrians,’ in 1690 Spain joined the Grand Alliance in the Nine Years’ War with France. It declared bankruptcy again in 1692 and by 1696, France occupied most of Catalonia; Carlos II’s mother, Queen Maria-Anna retained power with the support of German auxiliaries under Maria-Anna’s brother Charles-Philipp of Austria, many of whom were expelled after María-Anna’s death.

Maria-Anna of Austria, Queen Consort and Regent of Spain

Maria-Anna of Austria, Queen Consort and Regent of Spain died on May 16, 1696 at the Uceda Palace in Madrid, at the age of sixty-one; the cause is thought to have been breast cancer.

Legacy

Maria-Anna supported the 1668 mission led by Diego Luis de San Vitores and Saint Pedro Calungsod to convert the indigenous Chamorro people of Guam and the Mariana Islands to Christianity.

The Portrait of Maria-Anna painted by Diego Velázquez was commissioned by Felipe IV and is the only known full-length painting of her. The original is in the Prado Museum in Madrid; a copy was sent to her father Ferdinand and is held by the Kunsthistorisches Museum in Vienna.

Several other portraits of her were made, including Juan Bautista Martínez del Mazo’s Queen Mariana of Spain in Mourning, 1666. She also appears as a detail in Velasquez’ masterpiece Las Meninas which features her daughter Margaret-Theresa.