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One of the interesting facts about this favorite Crown of mine is, it no longer exists except in replica form!

Tudor Crown

The Tudor Crown, also known as Henry VIII’s Crown, was the imperial and state crown used by the monarchs of England and Great Britain from around the time of Henry VIII up to the English Civil War in 1649. It was described by the art historian Sir Roy Strong as “a masterpiece of early Tudor jeweller’s art”, and its form has been compared to the crown of the Holy Roman Empire.


Its date of manufacture is unknown, but Henry VII or his son and successor Henry VIII probably commissioned the crown, first documented in writing in a 1521 inventory of Henry VIII’s jewels, naming the crown as “the king’s crown of gold”. More elaborate than its medieval predecessor, it originally had two arches, five crosses pattée and five fleurs-de-lis, and was decorated with emeralds, sapphires, rubies, pearls, diamonds and, at one time, the Black Prince’s Ruby (a large spinel). The centre petals of the fleurs-de-lis had images of Christ, the Virgin Mary and St George, in an effort by Henry VIII to secure his position as head of the new Church of England. The crown was mentioned again in 1532, 1550, 1574 and 1597.


Fate of the Crown

After the death of Elizabeth I and the end of the Tudor dynasty, the Stuarts came to power in England. Both James I-VI and Charles I are known to have worn the crown. Following the abolition of the monarchy after the execution of Charles I in 1649, the Tudor Crown was broken up and its valuable components sold for £1,100. According to an inventory drawn up for the sale of the king’s goods, it weighed 7 lb 6 oz (3.3 kg).

Use in heraldry

From 1902 to 1953, a stylised image of the Tudor Crown was used in coats of arms, badges, logos and various other insignia throughout the Commonwealth realms to symbolise the Crown and the monarch’s royal authority.

In 2012, a replica of the crown, based on research by Historic Royal Palaces, was made by the retired royal jeweller Harry Collins, using authentic Tudor metalworking techniques and 344 pearls and gemstones. It can be viewed as part of an exhibition in the Royal Chapel at Hampton Court Palace.